Transgenic Art Bibliography:


Abate, Tom. "Artist Proposes Using Jellyfish Genes to Create Glow-in-the-Dark Dogs", San Francisco Chronicle, October 18, 1999, p. B1.

Abate, Tom. "News Stories About Tinkering With DNA Miss the Big Picture. Glowing rabbit shows we're creeping toward redesigning human life", San Francisco Chronicle, September 25, 2000, p. D1. See also: Cook, Gareth. "Controversial New Canvas. Artist defends genetically engineered, glow-in-the-dark rabbit", San Francisco Chronicle, September 19, 2000, p. 1, A4. And also: Letters to San Francisco Chronicle. "Glowing Bunny Draws Big Response", San Francisco Chronicle, September 25, 2000, p. D4.

Abbe, Mary "A potent show comes to the Weisman Art Museum", Star Tribune, 02/13/2004, Minneapolis.

Abbe, Mary. "Not your garden variety Petunia, this petunia carries artist's DNA", Star Tribune, Minneapolis, April 17, 2009 (front page and page A8). Through syndication, this article was reproduced in various other news outlets, including the Chicago Tribune, The Seattle Times, and the Orlando Sentinel.

Abenavoli, Lorella. "À propos de Genesis de Eduardo Kac", .DPI, N. 11, StudioXX, Montréal, 2008. (French)

Adler, Tony. "Fooling With Mother Nature. Artists ponder what happens when big business interferes with natural selection", Chicago Reader, November 12, 2004, Section 1, p. 46.

Albuquerque, Fernanda. "A Tecnologia como ferramenta". Entrevista de Eduardo Kac. Revista Aplauso, N. 62, Ano 7, 2005, Porto Alegre, pp. 36-37. (Portuguese)

Alexandrian, Saranee. "Eduardo Kac entre le Bioart et la Biopoésie", Supérieur Inconnu, Automne 2007, Paris, pp. 59-63. (French)

Ali-Brouchoud, Francisco. “Entrevista con el artista Eduardo Kac acerca de la biología del arte”, Página/12, 04 de Abril de 2006, Buenos Aires. (Spanish)

Allmendinger, Ulli. "One small hop for Alba, ne large hop for mankind", NY Arts Magazine, Vol. 6, N. 6, June 2001.

Aloi, Giovanni. Art & Animals (London; New York, I.B. Tauris, 2012), pp. 74-81.

Alzugaray, Paula. "Criador e Criatura," Isto É, 24 Fev. 2010, pp. 94-95. (Portuguese)

Amiguet, Lluís , "El perro es una tecnología", La Vanguardia (La Contra), Barcelona, 04/02/2012. (Spanish)

Andersen, Karin and Roberto Marchesini. Animal appeal. Uno studio sul teriomorfismo (Bologna: Hybris editions, 2003). (Italian)

Andersen, Karin. "Zoomorphism in art and contemporary biotechnologies, magazine Cluster- On Innovation, Turin, Italy. (Italian and English)

Andrews, Lori. Epilogue to the paperback edition of The Clone Age (New York: Henry Holt, 2000).

Andrews, Lori. "Art --Weird Science", Chicago Magazine, August 2000, pp. 22, 24.

Andrews, Lori. Sequence (New York: St. Martin's Minotaur, 2006).

Andrews, Lori. “Changing Conceptions”, in: Lightman, Alan and Daniel Sarewitz. Living with the Genie: Essays On Technology And The Quest For Human Mastery (Island Press; 2004), pp. 110-111.

Ángel, Rodrigo Restrepo . “Si Alba es un monstruo, también lo somos nosotros”, Arcadia, N. 31, Abril 2008, Bogotá, pp. 26-27. (Spanish)

Anker, Suzanne and Dorothy Nelkin, The Molecular Gaze: Art in the Genetic Age (New York : Cold Spring Harbor Laboratory Press, 2003), p. 95.

Anker, Suzanne and Susan Lindee, Edward A. Shanken, Dorothy Nelkin, “Technogenesis: Aesthetic Dimensions of Art and Biotechnology,” in: Lustig, B. Andrew; Brody, B.A.; McKenny, Gerald P. (Eds.) Altering Nature, Vol. 1 (New York: Springer, 2009), pp. 275-321.

Anonymous. "Now you'll never loose bunny in the dark", Sunday Mail, London, September 24, 2000.

Anonymous. "Genetically Engineered Art", Hartford Advocate, CT, August 2000.

Anonymous. "French Scientists Hopping Mad Over GM Rabbit", Reuters wire, October 6, 2000.

Anonymous. "Artist Splices Jellyfish With Rabbit To Make Art", GlobalTV.com, Winnipeg, Canada, September 3, 2000.

Anonymous. "Energizer Bunny", Fox News website, Sunday, October 1, 2000.

Anonymous. Sydney Morning Herald, Australia, Backstage column of the arts section, Wednesday, 4 October, 2000.

Anonymous. "What's up, doc?". The Toronto Star; October 21, 2000.

Anonymous. "Art imitates science", Boston Globe, 9/24/2000, p. F06.

Anonymous."Rabbit Redux", Times of India, 27 September 2000.

Anonymous. "Artist 'invents' glowing mutant bunny", Ananova.com, 19 September 2000.

Anonymous. "Artista USA crea il coniglio GM fluorescente", Corriere della Sera, 8 ottobre 2000. (Italian)

Anonymous. " Obra de arte transgénico "gfp bunny" ", context weblog, Spain, 30-Nov-2000 (http://www.straddle3.net/context/int/i_000200.es.html). (Spanish)

Anonymous. "Eduardo Kac's Gfp Bunny Incites Debate About Ethics Of Transgenic Art", Artswire, September 26, 2000.

Anonymous. "Fluoro-Bunny",Beyond 2000, October 25, 2000.

Anonymous. "Bilim dünyas nda "ye il tav an" tart mas", e-kolay.net, Turkey, 25.08.2000. (Turkish)

Anonymous. "Alba, la lapine victime d'un délire fluo", Ça M'intéresse, N. 238, Decembre 2000, p. 44. (French)

Anonymous. "Lapin transgenique", Le Soir D'Algerie, 4 Jul 2001. (French)

Anonymous, "Lux Bunny : un lapin vert fluo!", Revue Avicole, N. 4, Juillet/Août, 2001, p. 127. (French)

Anonynous. "Un lapin transformé en oeuvre d'art", Le Nouvelliste, Montréal, 4 septembre 2000 (French).

Anonynous. "Un lapin transgénique peut-il être une oeuvre d'art?", La Presse, Montréal, 5 septembre 2000 (French).

Anonynous. "Un lapin transgénique peut-il être une oeuvre d'art?", Le Soleil, Montréal, 5 septembre 2000 (French).

Anonymous. "Coelha que brilha causa polêmica", O Estado de São Paulo, September 22, 2000. (Portuguese)

Anonymous. "Glow in the Dark Rabbit", St. Louis Post-Dispatch, October 2000.

Anonymous. "Genesis". Notre Dame Review (cover and brief description), N. 10, Summer 2000.

Anonymous. "L’art à l’ère post-biologique", Libération, 8 décembre 2000. (French)

Anonymous. "Meister Lampe", GQ, N. 1, Januar 2002. (German)

Anonymous. "Fluorescentni zeko kao umjetniãki predmet", KLIK Magazin , January 11, 2002, Croatia. (Croatian)

Anonymous. "A Lamp that Poops", Stuff Magazine, 2002.

Anonymous. "Bello Lapino Fluo", Art Actuel, N. 25, Mars-Avril 2003, Paris, p. 67. (French)

Anonymous. "Alba", Storia della Scienza, Istituto dell'Enciclopedia Italiana, Rome, 2003. (Italian)

Anonymous. "The art of DNA; Back to bases", The Economist (print edition), Apr 24th 2003.

Anonymous. “Frankenstein and the glowing rabbit”, Irish Times, 07 Jul 2007.

Anonymous. "Bioarte. Criadores y cultivadores de obras de arte", El Pais, Viernes 16.11.2007, Montevideo, Uruguay

Anonymous. "Artist will speak about fusion of science and art", Davis Enterprise, February 27, 2009, Davis, California.

Anonymous. "Lagoglyphs: The Bunny Variations", Walkerhill magazine, Seoul, March 2010, n. 9, pp. 36-37. (Korean)

Anonymous. "Art-Science", The Art Magazine, ns. 4-5, 2009. (Russian)

Anonymous. “TecArtECo a Como,” Corrieri di Como, Italy, September 30, 2010, p. 9. (Italian)

Anderson, Simon. "Cultura y tecnología: posibilidades y significados (Simon Anderson ha entrevistado a Eduardo Kac)." Revista del Centro de Arte, N. 4, Madrid, February 2003 <http://www.centrodearte.com/>. (Spanish)

Arantes, Priscila . "Corpo e vigilância na sociedade de controle", 404nOtF0und , Ano 4, Vol 1, N. 42 · julho/2004. Publicação do Ciberpesquisa - Centro de Estudos e Pesquisas em Cibercultura <http://www.facom.ufba.br/ciberpesquisa/404nOtF0und>. (Portuguese)

Arantes, Priscila. Arte e mídia no Brasil: perspectivas da estética digital (São Paulo: Editora Senac, 2005). (Portuguese)

Armaleo, Daniele. "Art and the transgenic bunny", The Chronicle, Duke University, Durham, November 17, 2000.

Armstrong, Susan J. and Richard G. Botzler (Editors) The Animal Ethics Reader (New York: Routledge: 2003), p. 9.

Arraes, Sissa. "Do pincel aos sistemas interativos", Jornal do Brasil, Setembro 26, 2001. (Portuguese)

Artner, Alan G. "Artists dabble in lab -- 'Gene(sis)' views issues raised by DNA research", Chicago Tribune, Sep 16, 2004; Tempo Section, pg. 3.

Ascott, Roy. "At Home in the post-biological Universe", in Art Inquiry, Vol. 5, N. 14, Lodz, Poland, 2003, Cyberarts/cybercultures/cybersocieties issue, Ryszard W. Kluszczynski,ed., pp. 9-15.

Ascott, Roy. "When the Jaguar lies down with the Lamb: speculations on the post-biological culture", ArtNodes, November 2001, Universidade Oberta de Catalunia, Barcelona (English and Spanish)

Atwood, Margaret. Oryx and Crake (New York: Doubleday, 2003).

Babin, Dominique. PH1: Manuel D'usage Et D'entretien Du Post-Humain (Paris: Flammarion, 2004). (French)

Badia, Félix. "El Conejo Fluorescente", La Vanguardia, July 22, 2001, Barcelona. (Spanish)

Bailey, Ronald. "Vulgarity and Tastelessness", Reason, March 7, 2000.

Bailey, Ronald. "Pink Mice and Petri Dishes: Artists contemplate biotechnology", Reason, December 2000.

Bailey, Ronald. "Rainbow-Colored Day Bats Or, how human action increases biodiversity", Reason, June 6, 2001.

Baker, Steve. "Haunted by the Animal", Tate Magazine, N. 26, September 2001.

Baker, Steve. Picturing the Beast: Animals, Identity and Representation (Chicago: University of Illinois Press, 2001), pp. xxvii-xxxi, xxxiv.

Baker, Steve. "Philosohpy in the Wild? Kac and Derrida on Animals and Responsibility", New Formations, N. 49, Spring 2003, London, pp. 91-98.

Baker, Steve. “Vivid New Ecologies: Catherine Chalmers and Eduardo Kac,” in: Artist | Animal (Minneapolis: University of Minnesota Press, 2013), pp. 66-89, p. 223.

Balbio, Marcelo. "Eduardo Kac. De passagem pelo Rio, o artista brasileiro radicado nos EUA fala sobre seus revolucionários projetos no campo da bioarte", Revista O Globo, Domingo, 27/07/2008, pp. 15 e 16. (Portuguese)

Balzola, Andrea, “Estetiche Delle Arti Tecnologiche”, in: Balzola Andrea - Monteverdi Anna Maria. Le arti multimediali digitali. Storia, tecniche, lingueggi, etiche ed estetiche delle arti del nuovo millennio (Milano: Saggi, 2004). (Italian)

Baron, Denis. La chair mutante - Fabrique d'un posthumain (Paris: Dis voir, 2008), pp. 48-49. (French)

Barros, Manuela de. "Le Virtuel Incarné", in : Christine Buci-Glucksmann (org.) L'art à l'époque du virtuel (Paris: L'Harmattan, 2003), pp. 171-185. (French)

Bartlem, Edwina . "Immersive Artificial Life (A-Life) Art," in Backburning: Journal of Australian Studies no 84, Helen Addison-Smith, An Nguyen and Denise Tallis (eds), Perth, API Network, 2005.

Bartlem, Edwina . "Emergence: New Flesh and Life in New Media Art", in: Kitsi-Mitakou, Katerina et alli. The Future of Flesh: A Cultural Survey of the Body (New York: Palgrave Macmillan, 2009), pp. 164-165.

Basbaum, Ricardo. "Entrevista com Eduardo Kac", published online in Agora (Agência de Organismos Artísticos), Rio de Janeiro, Julho 2000. (Portuguese)

Batailler, Virginie. "L'éthique en question autour d'un lapin fluo", La Provence, 20 June 2000, p. 4. (French)

Bec, Louis. "Le lapin fluorescent. Bunny GFP. Interdit de Visite." Email broadcast by Louis Bec, from Avignon, on June 16, 2000.

Beccaria, Gabriele. "Alba, la coniglietta che brilla. Creata in laboratorio con i geni di una medusa", La Stampa, September 21, 2000, Italy. (Italian)

Becker, Carol. "GFP Bunny", Art Journal, Fall 2000, pp. 45-47. Reprinted in: Becker, Carol. Surpassing the Spectacle: Global Transformation and the Changing Politics of Art (Lanham, Maryland: Rowman & Littlefield, 2002), pp. 137-141.

Beiguelman, Giselle. "A coelhinha e a bioarte", revista digital Trópico, Universo On Line, em 27 Nov 2001, n.p.n. (Portuguese)

Beiguelman, Giselle. "Kac questiona o natural e o artificial em toda a sua obra", Folha de São Paulo, 04/07/2002. (Portuguese)

Beiguelman, Giselle. "O xeque-mate cibernético", Caderno Mais! da Folha de São Paulo, 19 de setembro de 2004, pp. 14-15. (Portuguese)

Beiguelman, Giselle. “Os Desafios da Bioarte”, in: Giselle Beiguelman, Link-se (arte/mídia/política/cibercultura) (São Paulo: Peirópolis, 2005), pp. 9-14. (Portuguese)

Bek, Jesper et alli (eds.). For Øjeblikket 1. Samtidskunst til billedkunst C (Copenhagen: L&R uddannelse, 2009), pp. 68-69. (Danish)

Ben-Abdul, Mohamet. "Eduardo Kac's Bunny Magic", Gravy, number 12, Fall and Winter 2001, 2002.

Bendi, Simon. "Transgenic Art, the True Modernist Reformat", Crossings (forthcoming 2002)

Bendyk, Edwin. "´Swiecacy królik (interview with Eduardo Kac)", Polityka, n. 11 (2696), 14 March 2009, pp. 81-83. (Polish)

Bensimon, Corinne. "Transgenic Park", Libération, 16 septembre 2000.

Berwick, Carly. "The New New-Media Blitz", ARTnews, April 2001, p. 116.

Berwick, Carly. Net Gains, ArteNews, December 2002.

Bezreh, Tanya. "Milestones: Ars Electronica", Artbyte, Vol. 2, N. 5, January-February 2000, pp. 74-75.

Birch, Thomas and Thomas Markussen. "Philosophy in the Wild. Interview with Eduardo Kac," Passepartout, Afdeling for Kunsthistorie, N. 27, Institut for Aestetiske Fag, Aarhus Universitet, Aarhus, Denmark, 2007, pp. 40-59. (Danish)

Birringer, Johannes. Performance, Technology, and Science (New York: PAJ Publications, 2008).

Blais, Joline and Jon Ippolito. At the Edge of Art (London: Thames & Hudson, 2006), pp. 219-221.

Blasi, Debra di. There are no rules, An interview with Eduardo Kac, Review magazine, Kansas City, March 2005, Issue #61, V. 7, No.4, p. 38.

Blocker, Jane. “This Being You Must Create: Transgenic Art and Witnessing the Invisible” , Cultural Studies, Routledge, Volume 17, Number 2 / March 2003, pp. 193 – 210.

Blocker, Jane. “This Being You Must Create: Transgenics, Witness, and Selfhood in the work of Eduardo Kac and Christine Borland", in: Blocker, Jane. Seeing Witness: Visuality & the Ethics of Testimony (Minneapolis: Univ of Minnesota Press, 2009), pp. 87-102.

Boisvert, Julie et al. Manuel de l'élève: 2e année du 2e cycle du secondaire (Québec: éditions du Renouveau Pédagogique Inc, 2008), pp. 486-487. (French)

Bolognini, Maurizio. "Bioestetica, arte transgenica e il coniglio verde. Conversazione con Eduardo Kac", Magazine Luxflux, N°11, 2004, Museo Laboratorio di Arte Contemporanea, University of Rome (uploaded March 2005). Republished in : Lux, Simonetta. Arte ipercontemporanea - un certo loro sguardo. Ulteriori protocolli dell’arte contemporanea (Rome: Gangemi Editore, 2006), pp. 433-439. (Italian)

Bolognini, Maurizio. Postdigitale Conversazioni sull'arte e le nuove tecnologie (Roma: Carocci Editore, 2008), pp. 75-80. (Italian)

Bolter, Jay David Bolter and Diane Gromala. Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency (Cambridge: MIT Press , 2003), p. 159.

Bomboy, Alice. "Quand la science infuse dans l'art," Terra Eco 39, Septembre 2012, pp. 74-75. (French)

Bonet, Josée. "Alba a posé un lapin à AvignonNumérique", Vaucluse Matin, 20 June 2000, p. 3. (French)

Bonnicksen, Andrea L. Chimeras, Hybrids, and Interspecies Research: Politics and Policymaking (Washington, D.C. : Georgetown University Press, 2009), p. 25, 98.

Bosco, R. and S. Caldana, "Los artistas exploran la revolución genética a partir de la Biblia", El Pais (ciberp@ís), Madrid, Octubre 5, 2000, p. 20. (Spanish)

Bosco, R. and S. Caldana, "Tribes Gallery Exposes the Panorama of Net.art at the Dawn of the New Millenium" and "Tribe Gallery expone la panorámica del net.art al alba del nuevo milenio", El Pais, Madrid, January 11, 2001. (Spanish)

Bosco, Roberta and Stefano Caldana. "Un Mundo Verde Fluorescente", Ciberp@is Mensual (nº 15 - Octubre 2001), pp. 72-74 (Spanish).

Bosco, Roberta. "Una flor con ADN de artista", El País, Barcelona - 22/01/2012. (Spanish)

Bout, Erwan. On the 'Specimen of Secrecy about Marvelous Discoveries". [Plastik #02 - In vivo, L’artiste en l’œuvre ?], 3 juin 2011, Centre d’études et de recherches en arts plastiques (CERAP) de l’Université de Paris I Panthéon-Sorbonne <http://art-science.univ-paris1.fr/document.php?id=553>. ISSN ISSN 2101-0323. (English and French)

Boyce, Nell. "Pets of the Future. The kitten-cloning success opens the possibility of customizing animals", U.S.News & World Report, 3/11/02.

Bradbury, Leonie. "Art From Life", The Chronicle of Higher Eduaction, Volume 53, Issue 26 Page B15, March 2, 2007

Braga, Paulo. "Artista brasileiro cria obra de arte transgênica", Valor, September 25, 2000. (Portuguese)

Brasil, André and Eduardo de Jesus. "Dietro al coniglio verde. Intervista a Eduardo Kac". Cluster N. 4, November 2004, Torino, pp. 138-142. (Italian)

Bredekamp, Horst. Theorie des Bildakts (Berlin: Suhrkamp Verlag, 2010). (German)

Broadhurst, Susan. "Bioart: Transgenic art and recombinant theatre", Body, Space & Technology Journal, Vol 5, N. 2, 2005, School of Arts at Brunel University, UK.

Broadhurst, Susan. Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology (Hampshire: Palgrave Macmillan, 2011), p. 161-168.

Broch-Lips, Henrik. "Udfordrende udstilling på grænsen mellem teknik og kunst", Arhus Stiftstidende, Kunst, p. 11, 5 november 2006. (Danish)

Browaeys, Dorothée Benoit. "L’art biotech ou quand l’art se fait chair", L'Observatoire de la génétique, No 10 - mars-avril, 2003, Centre de bioéthique, Institut de recherches cliniques de Montréal. (French)

Brunialti, Alessio. “Fra arte e pensiero: un festival tecnologico in nome dell’ambiente”, La Provincia, Como, Italy, September 30, 2010, pp. 52-53. (Italian)

Bucio, Erika Perez . "Crea Kac arte transgenico", Reforma, Mexico City, march 25, 2004. (Spanish)

Buratto, Luciano G. "Eduardo Kac afirma que acordo sobre animal foi rompido", Folha de São Paulo, October 7, 2000, p. A18. (Portuguese). See also: Galus, Christiane. "Artista plástico e cientistas disputam posse de coelha transgênica", Folha de São Paulo, October 7, 2000, p. A18.

Bureaud, Annick. "Eduardo Kac, Écrire avec le vivant", Artpress, mars/march 2007, pp. 41-45. (English and French)

Byrne, John. "Life Science: Ars Electronica 99", Third Text, N. 49, Winter 1999, pp. 93-97.

Cadiot, Olivier. Retour définitif et durable de l'être aimé (Paris: P.O.L., 2001), pp. 7-112. Republished by Gallimard in 2008 (Folio series). See cover. (French)

Calazans, Flávio. "Peixe transgênico brilha nos aquários", www.dominiofeminino.com, 13 Setembro 2003. (Portuguese)

Calazans, Flávio. "Biomediology: Communication and Environment", XI Encuentro Latinoamericano de Facultades de Comunicación Social, “Comunicación, Democracia y Ciudadanía"., Universidad de Puerto Rico. 5,6,7 y 8 de Octubre de 2003. (Portuguese).

Calazans, Flávio. Ecologia e Biomidiologia (São Paulo: Editora Plêiade, 2002). (Portuguese)

Calazans, Flávio. "BIOMIDIOLOGIA : UM PARADIGMA INTERDISCIPLINAR DO SÉCULO XXI", INTERCOM – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação, XXV Congresso Brasileiro de Ciências da Comunicação – Salvador/BA – 1 a 5 Set 2002. (Portuguese)

Calbo, Iza . "Arte futurista", A Tarde - Caderno 2 - 31/July/2002, p. 3, Salvador, Bahia.(Portuguese)

Calisi, Daniela. "Opere e idee di Eduardo Kac: Il suo coniglio verde suscita polemiche in tutto il mondo. Ma chi e' e cosa faceva prima Eduardo Kac?", Golem, RAI, Torino, Italy,12 April 2001. (italian)

Campanelli, Vito. "Move 36, il confine fra umano ed il non umano", NEURAL, rivista di cultura dei nuovi media, Italy, 16.04.04. (Italian) .

Capucci , Pier Luigi. Alba, arte transgenica, arte del vivente, Noema - Tecnologie e Società, Italy, June 2000. (Italian)

Capucci, Pier Luigi, "Le forme del vivente", D'ARS (Numero 163/164 - Dicembre 2000 ), pp. 19-21, Milan. (Italian)

Carneiro, Alessandra e Mylène Neno, "Arte sem limites", O Dia Online, Rio de Janeiro, Quarta, 26 de março de 2003. (Portuguese)

Casid, Jill. "Landscaping for Chimeras," in: Architecture is All Over, eds. Marrikka Trotter and Esther Choi (Cambridge: MIT Press, 2012).

Castro, Alejandro Palma. "La ciencia artística o la conejita de Eduardo Kac", Elementos, Ciencia y Cultura, No. 50, Volúmen 10, Junio-Agosto 2003 ( Universidad Autónoma de Puebla, México), páginas 37 - 41. (Spanish)

Castromán, Esteban. "Arte 2.0: Pesadillas Digitales", Revista Alma, Julio/Agosto 2008, Buenos Aires, Argentina. (Spanish)

Carnelos, Sara. "Bioarte. Intervista a Eduardo Kac", Mind The Gap, N. 8, Ottobre 2001, pp. 12-13. (Italian)

Cattani, Pier. "Colpo di gene: l'artista diventa biotech". Venerdi di Repubblica, Italy, 25 Avril 2003, 11-13. (Italian)

Causey, Matthew. "Stealing from God: The Crisis of Creation in Socìetas Raffaelo Sanzio's Genesi and Eduardo Kac's Genesis", Theatre Research International, Vol. 26, N. 2, Cambridge University Press, 2001, pp. 199-208.

Causey, Matthew. "The Ethics and Anxiety of Being with Monsters and Machines: Thinking Through the Transgenic Art of Eduardo Kac", Crossings: eJournal of Art and Technology, Volume 2, Issue 1, ISSN 1649-0460, March 2002.

Cavani, Júlio. "Tecnologia genética à serviço da arte", Diário de Pernambuco, Recife, 14 de Julho de 2004, p. C6. (Portuguese)

Chalfie, Martin. "GFP: Lighting Up Life", in: The Nobel Prizes 2008 (Stockholm: Nobel Foundation, 2009).

Chartier, Philippe. "Chiens verts et autres chefs-d'oeuvre. Un animal transgénique peut-il être considéré comme une oeuvre d'art ?", Quebéc Science, Vol. 38, N. 1, Septembre 1999, p. 35. (French)

Chayette, Sylvie. "Quoi de neuf, Docteur? Un lapin transgénique interdit d'exposition à Avignon." Le Monde Interactif, 30 juin 2000. (French)

Ciauri, Alessandra. "Alba, il coniglio transgenico fluorescente creato con i geni di una medusa", Notiziario del Corso di Perfezionamento in Bioetica Clinica, Anno III - N. 1, Gennaio 2001, Università degli Studi di Roma - La Sapienza. (italian)

Chang, Kenneth. “Three Chemists Win Nobel Prize”, New York Times, October 9, 2008, page A25.

Cheon, Mina. "Property, Identity, and Creation Mythologies of Genetic Research", NY Arts Magazine, November 2002, pp. 85-87.

Choi, Dooeun.  “Rendre Naturels les chemins qui mènent à l’art du hundun [chaos],” in: Art et culture(s) numérique(s), panorama international. Edited by Centre des arts & Musiques & Cultures Digitales (MCD). Published by Centre des arts d’Enghien-les-Bains et l’Institut Français, 2012, pp. 36-41. (French)

Cohen, Jeffrey J. "Are bioluminescent bunnies queer?", In the Middle, a medieval studies group blog, March 08, 2007. <http://www.inthemedievalmiddle.com>

Cohen, Jeffrey. “An Unfinished Conversation About Glowing Green Bunnies,” in: Queering the Non/Human, Noreen Giffney and Myra J. Hird, eds. (Hampshire: Ashgate, 2008), p. 363-375.

Chopra, Suneet. "A journey in Japan", Frontline, Volume 18 - Issue 21, Oct. 13 - 26, 2001, Chennai, India.

Cimerman, Zvjezdana and Ammann, Daniel. Das Tier in Der Zeitgenössischen Kunst [The animal in the contemporary art] (Zürich : Tierschutzverlag,, 2002), pp. .78-83

Cimerman, Zvjezdana und Daniel Ammann. "Körper, Anatomie und Gene. Eine kunstgeschichtliche Einordnung", Gen-ethischer Informationsdienst -GID, Spezial Nummer 5: Kunst und Gene, Dez. 2004. (German)

Cippolini, Rafael. "La biología como gran obra", Clarín, Suplemento Cultura, Buenos Aires, , Sábado 15 de junio de 2002.(Spanish)

Cipriani, Elena. "L'alba dei cuccioli transgenici", News2000, Italy (http://news2000.iol.it). (Italian)

Clark, Jessica. "Glow-in-the-Dark Bunny Sheds Light on Genetic Research", Britannica Wire, Encyclopedia Britannica, Sept. 27, 2000.

Clayton, Julie and Carina Dennis. 50 Years of DNA (Palgrave Macmillan Publishers : Houndmills, England, 2003).

Clüver, Claus. “Transgenic Art: The Biopoetry of Eduardo Kac,” in: Media Borders, Multimodality and Intermediality, Lars Elleström, ed. (New York: Palgrave Macmillan, 2010), pp. 175-186.

Clüver, Claus. “‘Arte transgênica’: a biopoesia de Eduardo Kac.” In Intermidialidade ou estudos interartes: desafios da arte contemporânea 2. Ed. Thaïs Flores Nogueira Diniz and André Soares Vieira. Belo Horizonte: Faculdade de Letras, Universidade Federal de Minas Gerais, 2012. 155–170. (Portuguese)

Cohen, Hal. "Bioscience Moves into Galleries as Bioart : Artists use scientific techniques to create new forms ", The Scientist, Volume 16 , Issue 22 | November 11, 2002.

Colard, Jean-Max. "Esprit de Labo; Co-Labos", Nova Magazine, Novembre 2001, p.88. (French)

Comstock , Craig K. “The Art of Making Science Dance”, The Huffington Post, February 25, 2011. <http://www.huffingtonpost.com/craig-k-comstock/when-science-dances_b_824890.html#s243304&title=transgenic_bunny>

Cook, Gareth. "Cross hare: hop and glow", Boston Globe, 9/17/2000, p. A01. This article was reprinted in many periodicals, often with different titles. Reprints include: "Critics: Rabbit glowing for art is hare-brained science", St Petersburg Times, September 21, 2000, pg 13A; " Brave New Bunny", Fortworth Star-Telegram, September 19, 2000, pg 1A.

Copeland, Libby. "It's Not Easy Being Green", Washington Post, October 18, 2000, p. C01

Correia, Susana. "Design de Organisms", Cadernos de Design, Centro Português de Design, Lisboa, 2003. (Portuguese)

Cortés, César . "Arte genético: los activistas de la nueva eugenesia", Fahrenheit, Dic 06 - Ener 07, México, D.F., pp. 12-14. (Spanish)

Costa, Flavia. "Arte transgénico, un dilema: El arte después de la muerte del arte", posted to the Newsgroups soc.culture.peru, soc.culture.argentina, soc.culture.brazil, soc.culture.uruguay, 22 Jan 2001.

Coulon, Laure. "Art & Multimédia", L'Officiel des Galeries et Musées n. 46, pp. iv-ix. (French)

Couturier, Élisabeth L´art contemporain mode d´emploi (Levallois-Perret: Filipacch, 2004), pp. 34-35. (French)

Cravero, Claudio . “Living Works: Eduardo Kac”, in: Cravero, Claudio (ed). Body-Nature Landscapes (Torino: PAV – Experimental Centre for Contemporary Art / Eventi & Progetti Editore, 2011), pp.  86-87. (Italian and English)

Crichton, Michael. Next (New York: HarperCollins, 2006), p. 165.

Dagenais, Francine. “Eyes and Skin/Gaze and Touch”, In: Langford, Martha (ed.).  Image & Imagination (McGill-Queen's Press, 2005), p. 45.

Dahman, Hélène. "Le Bio-Art : Aura-T-Il Notre Peau?" MAD, N.11, 2001, pp. 74-76. (French)

Daigneault, Ginette. "At the crossroads of artistic and communicative practices: Art taking place", Espace, Spring 2001, Montreal, pp.10-13. (French and English)

Danelli, Diana. "Arte, Elettronica, Genetica.", Aesthetic Pages, Francesco Piselli (ed.), uploaded on 14 January 2000. Hosted by Polo didattico e di ricerca dell'Universita' degli Studi di Milano - Sede di Crema: http://twilight.dsi.unimi.it/~AEst/danelli5.html.

Daubner, Ernestine. "Genes, Genera, Genesis: The Transgenic Art of Eduardo Kac", Parachute, N.105, Jan-Feb-March 2002. (English and French)

Davies, Stephen. The Philosophy of Art (Blackwell Publishing, 2006), p. 229.

Davis, Ami. "Transvergence in Art History", Switch, N. 20, May 2005, CADRE Laboratory for New Media, San Jose State University, CA.

Debatty, Régine. "Eduardo Kac's presentation in Aix en Provence", We make money not art, 9 november 2007. Republished in <http://www.we-need-money-not-art.com> in Chinese.

Decia, Patricia. "Bioarte: Eduardo Kac tem obra polêmica vetada no ICI", Folha de São Paulo, Ilustrada, 10 October 1997, p. 13. (Portuguese)

Delaney, Ben. "Art Is Where You Grow It", IEEE Multimedia, January-March 2001, pp. 4-7.

Deleva, Emmanuelle. "Le gène militant d’Eduardo Kac", 20 Minutes, Paris, Lundi 23 Septembre 2002. (French)

Delavaux, Céline and Christian Demilly. Art contemporain (Paris: Éditions Palette, 2009), p. 69. (French) [Italian edition by Hippocampo, 2011]

Delson, Susan. "If Picasso were a Programmer", Forbes - Best of the Web, June 25, 2001, pp. 44-47.

DeMello, Margo and Susan Davis. Stories Rabbits Tell: A Natural and Cultural History of a Misunderstood Beast (New York : Lantern Press, 2003), pp. 294-296.

Derby, Dan. "To Make a New Dog", Strange Horizons - Science Fact & Fiction Magazine, January 14, 2002.

Detrich III, H. William et alli. The Zebrafish: Cellular and Developmental Biology, Volume 76, Second Edition (Academic Press; 2 edition: 2004), p.4.

Dias, Helder. "Media Art / Eduardo Kac", W, N. 3, 2004, Porto, Portugal, pp. 180-182.

Dickey, Chris. "I Love My Glow Bunny", Wired, 9.04 - April 2001, pp.88-100. Republished as "Eu amo meu coelho fluorescente", Amanhã, Porto Alegre, N. 166, May 2001, pp. 34-40. (Portuguese)

Dierks, Carrie. "Glowing Bunny Sparks International Controversy", Biology News, 12 October 2000.

Diez, René. "Une décision scientifique pose un lapin à Avignon", Midi Libre, 20 June 2000, p. 8. (French)

Dinkla, Söke. "Eduardo Kac", in Under the Skin, exhibition catalogue (Ostfilden-Ruit, Germany: Hatje Cantz Verlag, 2001), p. 60-61. (German and English)

Dixon, Steve and Barry Smith. Digital Performance: New Technologies in Theatre, Dance, Performance Art and Installation (Cambridge: MIT Press, 2006).

Dobbsariail, Kate. "Contextualize This", The Independent, Durham, North Carolina, November 15, 2000.

Dobrin, Sid. Ecosee: Image, Rhetoric, Nature (Albany: State University of New York Press, 2009).

Donguy, Jacques. “Histoire Naturelle de l’énigme & autres travaux—compte rendue,” Cahier Critique de Poésie, Centre International de Poésie de Marseille, N. 21, 2011, pp. 277-279. (French)

Dooley, John. "Rabbit Jelly", The Portland Mercury, Vol 1 No. 23, Nov 2 - Nov 8 2000

Dopico, Montse. “Kac: As fronteiras borradas”, Galicia Hoxe, 09 Junio 2010 (Gallego)

Doria, Pedro. "Arte, ciência ou aberração?", NO.com, September 21, 2000. (Portuguese)

D'Orsi, Sabrina . "A proposito del coniglio fosforescente - Arte o non arte?", Golem, RAI, Torino, Italy,11 April 2001. (Italian)

Dreher, Thomas. "The Eighth Day", Internationalen Archiv für Sozialgeschichte der deutschen Literatur (IASLonline), Munich, Germany, December 2001. (German)

Dr. Tomorrow, "New Palette Paint: DNA", Digital Diary, 10 Sept 2000.

Drühl, Sven and Richard, Birgit. "Transgene Kunst, Klone und Mutanten", Kunstforum 157, Nov- Dec 2001, p. 53. (German)

Dunne, Anthony and Fiona Raby (eds). Speculative Everything (Cambridge: MIT Press, 2013).

Eberle, Ute."Haarsträubend", Facts 35/2005, 1.9.05, Zürich (German).

Edgar, Andrew. “Genetics”, in: Andrew Edgar and Peter Sedgwick (Editors). Cultural Theory: The Key Concepts (London: Routledge, 2008), p. 143.

Eerikäeinen, Hannu. "Taidetta geeneistä, soluista ja kudoksista", Taide (art) magazine, n. 3, Helsinki, 2006, pp. 38-44. (Finnish)

Eikmeyer, Robert. "It's Not Easy Being Green (Eduardo Kac : Interview)", published in the book Face/off – Body Fantasies, edited by Robert Eikmeyer (Frankfurt/Main : Revolver, Archiv für aktuelle Kunst, 2004), on the occasion of the exhibition of the same title, realized at Kunst und Kunstgewerbeverein, Pforzheim, Germany (February to May, 2004), pp. 55-61. (German)

Eimer, Annick. "Genetically modified organisms and plants in our daily life", Spiegel Online, August 2004. (German)

Eller, Thomas, "Der Kunstmarkt der Zukunft", artnet Magazine, December 1, 2006. <http://www.artnet.de/magazine/features/eller/eller12-01-06.asp> (German)

Enriquez, Juan. As the Future Catches You: How Genomics & Other Forces Are Changing Your Life, Work, Health & Wealth (New York: Crown Business, 2001), p.2, p. 134.

Erlan, Diego. "La creación, entre la utopía y el delirio. Entrevista con Eduardo Kac", Revista Ñ, N. 46, Clarín, Sábado 14.agosto.2004, p. 32. (Spanish)

Erstic, Marijana. “Biofuturistische Implikationen transgener Kunstexperimente”. In: Hülk, Walburga/ Schuhen, Gregor/Schwan, Tanja (Hg.): (Post-)Gender. Bielefeld: Transcript 2006, pp. 233-252. (German)

Eskin, Blake. "Building the Bioluminescent Bunny", ARTnews, December 2001, (Volume 100/Number 11), in the special section The Next Wave: Ten Trendsetters to Watch, pp. 118-119.

Estarás, Silvia. y Estella, Ignacio. : "...como perros- trauma, humillación y producción del sujeto contemporáneo". In: Intervento / Orlando Fernández (coord.) Inéditos. 3 proyectos expositivos de arte emergente. Madrid: Editorial Obra Social Caja Madrid, 2003, pp. 46-47. (Spanish)

Eylat, Yael (ed.). Digital Culture (Tel-Aviv : Hakibutz Hameuchad Publisher and Ein-Harod Museum, 2002). (Hebrew)

Fan Di'an and Zhang Ga, eds. TransLife: International Triennial of New Media Art /The National Art Museum of China, Beijing (Liverpool: Liverpool University Press, 2011), pp. 194-195. [Chinese and English]

Farr, Sheila. "Commentary: A dim view of glowing bunny as art", Seattle Times, May 05, 2002.

Farriol, Cristóbal. “Eduardo Kac: Arte Transgénico en Buenos Aires”, Una Vuelta, Santiago, Chile, 12 de Abril de 2006 (online). (Spanish)

Farriol, Cristóbal. "Eduardo Kac y su Arte Transgénico", arteycritica.cl, en abril de 2006. (Spanish)

Fehrenbach, Frank. "Compositio corporum: Renaissance der Bio Art," in: Vorträge aus dem Warburg-Haus, Vol. 9. Eds. Uwe Fleckner, Wolfgang Kemp, Gert Mattenklott, Monika Wagner and Martin Warnke (Berlin: Akademie Verlag, 2005), 131-176. (German)

Feij, Sabine. " Art and science", magazine OftO N. 1, Amsterdam, 2005.

Ferreira, Paulo Henrique. "Resposta Carioca / Eduardo Kac", Caderno Rio Show, O Globo, 24 Setembro 2004, p. 26. (Portuguese)

Ferrer, Mathilde (org.) Groupes, mouvements, tendances de l'art contemporain depuis 1945 (Paris: Ensba, 2001), pp. 249, 250, 279. (French)

Figueiredo, Virginia de Araujo. “Kant after Kac," presented at 2007 Congress of the Latin American Studies Association, Montréal, Canada September 5-8, 2007. (Portuguese)

Fillion, Odile. "Entretien avec Eduardo Kac", Le Monde Interactif, 15 décembre 2000. (French)

Fischer, Roland. "Transgene Kunst oder von einem Kaninchen zwischen 'High Science' und 'Low Art'". In: Jahrbuch 2001 des Collegium Helveticum der ETH Zürich [Federal Institute of Technology (ETH) in Zurich], Nowotny, H. & M. Weiss, K. Hänni (Hrsg.). vdf Hochschulverlag, 2002, pp. 417-435.. (German)

Flach, Sabine. "It's not easy being green!" : Schnittpunkte von Kunst, Medientechnik und Naturwissenschaften am Beispiel der Transgenic Art" In: Martina Heßler (Hg.): Konstruierte Sichtbarkeiten. Wissenschafts- und Technikbilder seit der Frühen Neuzeit - München : Fink Verlag. - 2006, S. 281-302. (German)

Flach, Sabine. “O artista como cientista” ("Der Künstler als Wissenschaftler"), DeSignis, N. 10, 2006 (Medios Audiovisuales entre Arte y Tecnología. Coordinador: Winfried Nöth con la colaboración de José María Paz Gago y Eduardo Peñuela). Gedisa. Barcelona. ISSN 1519 4223. (Portuguese)

Flach, Sabine and Bergit Arends. "Knowledge in the Arts", Virtual Symposium : On Visual Culture and Bioscience, March 5 – 13, 2007, Cultural Programs of the National Academy of Sciences, Washington.

Føhns, Henrik. "Drømmer kunstnere om grønne hunde? Eduardo Kac laver genkunst af bibelske sætninger", HardDisken, 10.9.99, http://www.dr.dk/harddisk/arsdag5C.htm. (Dannish)

Feiertag, Andreas. "Grellgrüne Hasen und zu Monstern mutierte Mäuse", Der Standard, 5/6 March 2005, Vienna, p. 2. (German)

Fiester, Autumn. "Ethical Issues in Animal Cloning", Perspectives in Biology and Medicine - Volume 48, Number 3, Summer 2005, pp. 328-343.

Fineberg, Jonathan. Art Since 1940: Strategies of Being (New York: Harry N Abrams, 2010; Third Edition), p. 477.

Fontenay, Elisabeth de. "Les pitoyables facéties de l'art bio", in: Sans offenser le genre humain : Réflexions sur la cause animale (Paris: Albin Michel, 2008).

Franck, Philippe. “On the Art of Living: Interview with Eduardo Kac,” in: TransDigital Cookbook, n. 03, June 2012, pp. 50-55. (English and Flemish)

Frers, Luciana Daz. “La vida como obra de arte,” La Nación, Buenos Aires, 21 December 2014. (Spanish)

Friedling, Melissa Pearl. "Paradise lost and found", Afterimage, Jan-Feb, 2002.

Frühwald, Wolfgang. “Wissenschaft und Technik: Auf dem Weg zu einem neuen Menschen?” Die Zukunft des Menschen: Perspektiven der Orientierung. Ed. Honnefelder, Ludger; Schmidt, Matthias. Paderborn: Ferdinand Schöningh, 2007. pp 29-49 (German)

Fuchs, Dale. "Luces y sombras de la clonación", El Mundo, Domingo, 5 de noviembre de 2000, Madrid, Spain. (Spanish)

Gábor, Kiss. "Nyuszi ül a fûben, világítva", Index, 2000. szeptember 20. (Hungarian)

Gabrielsen, Lin Beate and Kristin Vold. "Provoserer med genmanipulasjonskunst", Dagens Nyheter - Kulturnytt, NRK P2, 27. februar 2006. (Swedish)

Gacongne - Leroux, Claire. "Cersiy", Archée <http://archee.qc.ca>, September 2004. (French)

Galati, Barbara. “Come spiegare al defunto Beuys che il coniglio verde un’opera d’arte?” [How to Explain that the Green Bunny is a Work of Art to a Dead Beuys?], Seroxzine, N. 1, Giugno 2008, pp. 15-19. (Italian)

Galus, Christiane. "Les animaux fluorescents fascinent chercheurs, artistes et militaires", Le Monde, October 5, 2000, pp. 1, 29. (French)

Galus, Christiane. "Artista plástico e cientistas disputam posse de coelha transgênica", Folha de São Paulo, October 7, 2000, p. A18. (Portuguese) See also: Buratto, Luciano G. "Eduardo Kac afirma que acordo sobre animal foi rompido", Folha de São Paulo, October 7, 2000, p. A18. (Portuguese)

Gambino, Megan. “Designer Genes,” Smithsonian, March 2013, p. 71.

Garcia, Maria Isabel. Solaris Eve, The Philippine STAR. 12/19/2002.

García, Fernando. “Eduardo Kac: "El arte imposible de hoy es la banalidad de mañana", Clarín, 26 Marzo 2006, Buenos Aires.

Garreau, Joel . "Science's Mything Links. As the Boundaries of Reality Expand, Our Thinking Seems to Be Going Over the Edge", Washington Post, Monday, July 23, 2001; Page C01.

Gatti, Gianna Maria. L’Erbario Tecnologico. La natura vegetale e le nuove tecnologie nell’arte tra secondo e terzo millennio (Bologna: CLUEB, 2005). (Italian)

Gauthier, Michel. Olivier Cadiot, le facteur vitesse (Dijon: Les presses du réel, 2004), pp. 97-98. (French)

Geary, James. "Green Rabbit" and "In the Realm of the Senses", in: The Body Electric An Anatomy Of The New Bionic Senses  (New Brunswick, NJ: Rutgers, 2002), pp. 181-185.

Georges, Pierre. "La vie en fluo", Le Monde, October 5, 2000, p. 40. (French)

Gerritsen, Vivienne Baillie. "Mirror Mirror on the Wall, Who is the greenest of us all?", Protein Spotlight, Issue 11; June 2001, Swiss Institute of Bioinformatics, Genève.

Gessert, George. "A History of Art Involving DNA", in Gerfried Stocker and Christine Schopf (eds.) , Ars Electronica 99 - Life Science (Vienna, New York: Springer, 1999), p. 234. (German and English).

Gessert, George. "Letter to GeneWatch", September 27, 2000. (unpublished)

Gessert, George. "Art is Nature", Art Papers, March/April 2001, pp. 16-19.

Gessert, George. "A Proponent's View of Genetic Art", GeneWatch, Vol. 14, N. 3, May 2001, p. 10.

Gessert, George. "An Introduction to Genetic Art", GeneWatch, Volume 17 Number 2, March - April 2004

Giannachi, Gabriella. Virtual Theatres: an Introduction (London: Routledge, 2004), pp. 81-89.

Giannachi, Gabriella. "Eduardo Kac", in: Giannachi, Gabriella. Politics New Media Theatre: Life®TM, (London: Routledge, 2006), pp. 94-99.

Giannachi, Gabriella. "Reviews (Telepresence & Bio Art: Networking Humans, Rabbits & Robots)", Contemporary Theatre Review, 17:3 (2007), 463-470.

Giard, Agnès. "L'Art-Eprouvette", Nova Magazine, Paris, December 2000, p. 76. (French)

Gigliotti, Carol, ed. "Leonardo's choice: the ethics of artists working with genetic technologies", (AI & Society: Journal of human-centred systems, Volume 20, Number 1, January 2006, Springer).

Gigliotti, Carol, ed. Leonardo's choice: Genetic Technologies and Animals (New York: Springer, 2009).

Gilardi, Piero. "Arte del DNA", Flash Art, N. 218, Milan, 1999. (Italian)

Gilardi, Piero. "L’art et l’ADN", Flash Art nº 218, Milan, 1999. Republished in the book: Not for Sale – A la recherche de l'art relationnel 1982-2000, Piero Gilardi (Dijon: Les presses du réel, 2003). (French)

Gilardi, Piero. "Tra organico e inorganico". Juliet Art Magazine, N. 108, June 2002, pp. 46-47. (Italian)

Giles, Susan. "GFP Bunny", Flash Art, November-December 2000, p. 49.

Gill, Tony. "The Atomic Fish: The Rising Controversy of Genetically Modified Pets", The Humanist; September 1, 2004.

Girst, Thomas. "Denkmal der Labormaus", Die Tageszeitung, Berlin, 2000/10/23.

Girst, Thomas. " Grüne Mäuse: Der amerikanische Gen-Künstler Eduardo Kac und sein genetisch manipuliertes Ökosystem "Der achte Tag"." Frankfurter Rundschau, Feuilleton, 22.08.2001. (German)

Goffman, Ken [R.U. Sirius]. "Is A Trans Bunny Art? Eduardo Kac In Conversation with R.U. Sirius", Neofiles, Vol.1 Num.12, February 2005.

Gómez, Tania. "Ascott dará una conferencia en el Tec de Monterrey campus Estado de México", Reforma, Mexico, 20 Sep 2000. (Spanish)

Gómez, Tania. "Abordará Roy Ascott lo tangible de lo virtual", Reforma, Mexico, 21 Sep 2000. (Spanish)

Gong, Yan. "Eduardo Kac: Interview", Art WorldMagazine, Shanghai, June 2008, pp. 1-11. (Mandarin Chinese)

Gorduren, Petra and Luckow, Dirk. Doppler Effect (Kiel: Kunsthalle zu Kiel, 2010), p. 180-181. (German)

Grice, Gordon. "Paging Dr. Moreau", Artbyte, Jan-Feb 2001, pp. 56-61.

Grau, Oliver. " 'Lebendige Bilder' schaffen: Virtuelle Realität, Artificial Life und Transgenic Art", in Baumunk, B.-M. and Joerges, J. (eds). Dschungel. Sammeln, Ordnen, Bewahren: von der Vielfalt des Lebens zur Kultur der Natur (Berlin: Henschel, Berliner Festspiele, 2000), pp. 47-53. (German)

Grau, Oliver. "Transgenic Art", in: Virtual Art: From Illusion to Immersion (Cambridge: MIT Press, 2002), pp. 326-336.

Grau, Oliver. "Auf dem Weg zur Bildwissenschaft", Gegenworte. Zeitschrift für den Disput über Wissen (herausgegeben von der Berlin-Brandenburgischen Akademie der Wissenschaften), 9. Heft, Frühjahr 2002, Seite 24-29. (German)

Green, John. "Animals", Mental Floss, Vol. 2, N. 1, 2003, p. 13.

Griffin, Tim. "Blinded with science. Exit Art unravels DNA's double helix", Time Out - New York, No. 261 September 21-28, 2000.

Grosso, Davide. “Il coniglio fluorescente e il gene di Cartesio”, Overview, N. 5, Perugia, Italy, Summer 2006, pp. 11-12. (Italian and English).

Grovier, Kelly. Art Since 1989 [World of Art series] (London, New York: Thames and Hudson, 2015).

Grugier, Maxence. “Eduardo Kac. Portrait d’un artiste génétiquement modifié,” in: Art et culture(s) numérique(s), panorama international. Edited by Centre des arts & Musiques & Cultures Digitales (MCD). Published by Centre des arts d’Enghien-les-Bains et l’Institut Français, 2012, pp. 134-135. (French)

Gudin, Claude. "L'Animalité", in : Animals (exhibition catalogue), 200 rd 10, Lieu d'art contemporain, Vauvernargues, France. (French).

Gunnesch, Irene. "Durch diese Blüte fließt Menschenblut", Nachrichten, 4 September 2009, Linz, Austria, p. 21. (German)

Haahr, Mads and Elizabeth Drew. "Creation and Creativity", Crossings: eJournal of Art and Technology, Volume 2, Issue 1, ISSN 1649-0460, March 2002. See also in the same issue: Causey, Matthew. "The Ethics and Anxiety of Being with Monsters and Machines: Thinking Through the Transgenic Art of Eduardo Kac".

Hackenbroch, Veronika. "Was ist Kunst am Leucht-Kaninchen?", Der Spiegel, 20 Oktober 2003, p. 195. (German)

Hackett, Regina. "Contemporary artists take a mostly playful look at the consequences of genetic exploration", Seattle Post-Intelligencer, Saturday, April 6, 2002.

Hammouda, Hakim Ben. "Science, nouvelles technologies et création artistique", Realites, hebdomadaire Independant, N° 782, Semaine du 21 au 27/12/2000, Tunis. (French)

Hanssen, Lucien. The representation of science (Amsterdam: Dutch Foundation for Public Communication of Science and Technology), 2004).

Harari, Yuval Noah. A Short History of Humanity (Or Yehuda, Israel: Kinneret Zmora Dvir Publishing House,  2011).

Harboe,  Julie. “Gendebat mellem kunst og hybridinformation; skal eller kan kunsten lære os at forstå udviklingen i videnskaben bedre?”, in: Lippert-Rasmussen, Kasper & Gert Balling (eds.) Det menneskelige eksperiment [The Human Experiment : Views on makind and Modern Biotechnlogy] (Copenhagen: Museum Tusculanum Press / University of Copenhagen, 2006), pp. 229-249. (Danish)

Hartl, Daniel L. and Elizabeth W. Jones. Genetics: Analysis of Genes and Genomes , Sixth Edition (Sudbury, MA : Jones and Bartlett Publishers, 2004), p. 500.

Hatcher, Thurston. "Artists join the genetic revolution in New York exhibit", CNN.COM (http://www.cnn.com/2000/STYLE/arts/09/07/genetic.art/index.html), September 7, 2000.

Hauser, Jens. "Der Achte Tag", ZDF website, 8 November 2001. (German)

Hauser, Jens. "Gènes, génies, gênes", in: Jens Hauser, ed. L'Art Biotech. Catalog. (Le Lieu Unique, Nantes, France, 2003), pp. 9-15. (French)

Hauser, Jens. "Gènes, génies, gênes", in: Idea, # 14, 2003, Cluj, pp. 111-117. (Romanian)

Hauser, Jens . Derrière l'Animal l'Homme? – Altérité et parenté dans l'art biotech'. Figures de l'Art No. 7, 2004 Art & Animal. (French)

Hax, Andrés. "Arte en los abismos de la genética", Clarín, Buenos Aires, 11.septiembre.2005, pp. 52-53. (Spanish)

Hax, Andres. “Charla con el autor de una coneja”, Revista Ñ (Clarín), 8 Abril 2006, Buenos Aires, p. 4. (Spanish)

Heartney, Eleanor. Art and Today (New York: Phaidon Press, 2008), p. 191.

Heithoff, Tom. "Streicheln Sie das grüne Kaninchen! Leuchtender Klumpen Mensch: eine Berliner Diskussion über Genetik, Religion und Kunst ", Der Tagesspiegel, January 26, 2002, p. 25. (German)

Held, Robin. "Gene(sis): Contemporary Art Explores Human Genomics", in : Thurtle, Phillip and Robert Mitchell (eds.), Data Made Flesh: Embodying Information (New York, London: Routledge, 2004), pp. 263

Elwell, J, Sage. "GFP Bunny (2000) by Eduardo Kac," in: Elwell, J, Sage. Crisis of Transcendence:  A Theology of Digital Art and Culture (Lanham, Maryland: Lexington Books, 2011) pp. 7-10.

Henderson, Deidtra. "Art ponders genome implications", Boston Globe, 4/7/2002, p. A32.

Héneau, Marc. "Le bio-art nouveau est arrivé", Art Actuel, N. 22, Septembre-Octobre 2002, pp. 27, 52-53. (French)

Henig, Robin Marantz. "The Trouble We Have Seeing What's Out There", The Washington Post, Outlook, Sunday, October 22, 2000 p.B5.

Herper, Matthew. "How Much Is The Glowing Monkey In The Window?", Forbes.com, 02.02.01.

Hess, Ewa. "Der Menschenpark nimmt Gestalt an", Kultur section, SonntagsZeitung, Zurich, September 19, 1999, pp. 59, 61. (German)

Hildebrandt, Toni. "World-making Models: The Role of Images and Aesthetic Experience in Bio Art" (Interview with Eduardo Kac). In: Rheinsprung 11. Zeitschrift für Bildkritik, 2 (2011), Basel, 2011, 154-174.

Hillaire, Norbert. "AvignonNumérique: les mutalogues de l'an 2000", Artpress 258, June 2000, pp. 55-56. (French and English)

Hirsch, Andreas. "You know, I would like to glow" - transgenic art from Euduardo Kac, Flow, 07.06.01.

Ho, Justin. "Follow the "green rabbit: Contemporary artist Eduardo Kac combines technology, biology and art", The California Aggie, March 5, 2009, UC Davis, p. 5

Hodgson, John. "A green light for debate", Nature Biotechnology, volume 17 Number 10, October 1999, p. 933.

Hodgson, John. "GFP: Kacs and dogs", Nature Biotechnology, volume 17 Number 10, October 1999, p. 940.

Hofmann, Niklas. "Herumstochern im Genom," 4/5 August 2012, Süddeutsche Zeitung, Munich, Nr.179, p. 14.

Holden, Constance. “Fusing Art and Life”, Science, Vol. 289, No. 5485 (Sep., 2000), p. 1679.

Holm, Ditte Vilstrup and others. Context for images: trend in contemporary art and artists portraits (Copenhagen: L&R Uddannelse/Alinea, 2009). (Danish)

Hoppe-Sailer, Richard . "Bioplay", in: Hans Werner Ingensiep / Anne Eusterschulte (Hrsg). Philosophie der natürlichen Mitwelt : Grundlagen – Probleme – Perspektiven (Würzburg: Verlag Königshausen & Neumann, 2002), pp. 257-272. (German)

Hoppe-Sailer, Richard ."Organismes/Art -- Les racines historiques de l'art biotech", in: Jens Hauser, ed. L'Art Biotech. Catalog. (Le Lieu Unique, Nantes, France, 2003), pp. 86-91. (French)

Hubbard, Rob. "Life as Art -- Art as life", St. Paul Pioneer Press, MN, Mar. 07, 2004, p. 1E and 12E.

Hunt, David. "Eduardo Kac: Metaphor into Motif", published in the gallery brochure of the Genesis exhibition realized at Julia Friedman Gallery, Chicago, May 4 -- June 2, 2001.

Husárová, Zuzana. “Eduardo Kac: Nemáš d’aleko od mrkvy!” 3/4 No. 25. Ed. Krekovi?, Slávo; Tome?ková, Dana. Bratislava: ATRAKT ART- Society for Advanced Arts and Culture, October 2010, pp. 68-71. (Slovakian)

Huser, France. "L'Art Mutant", L'Officiel de la Couture et de la Mode de Paris, N. 868, September 2002, pp. 286-289. (French)

Ilfeld, Etan Jonathan. Beyond Contemporary Art (London: Vivays Publishing, 2012), pp. 116-119.

Irusta, Diana Fernández. “Eduardo Kac: arte al límite”, La Nación (Revista), 23 de Abril de 2006, Buenos Aires. (Spanish)

Jana, Reena. "Dystopia and Identity in the Age of Global Communications", Time Out New York, No. 275 December 28-January 4, 2001.

Jensen, Michael Juul. "The Technocultural Crucible", Culture Net Denmark, 2000-08-29. (English and Danish.)

Jeon, Hyesook. "A Study on Eduardo Kac's 'New Ecology' – 'Biobot' and Transgenic Art", Journal of the Asociation of Western Art History, n. 37, pp. 329-351. (Korean)

Jesus, Eduardo. "A experiência temporal e estética na inscrição tecnológica da obra transgênica de Eduardo Kac", in: 11o. Encontro Anual da Associação Nacional dos Programas de Pós-graduação em Comunicação - Compós, 2002, Rio de Janeiro. Anais do 11o. Encontro Anual da Associação Nacional dos Programas de Pós-graduação em Comunicação - Compós (CD-Rom). Rio de Janeiro: Compós; ECO-UFRJ, 2002. (Portuguese)

Jesús, Eduardo de. "La experiencia temporal y estética en la obra transgénica de Eduardo Kac", in : Hernández, Iliana (compiladora). Estética, Ciência y Tecnologia: Creaciones electrónicas y numéricas (Bogotá : Departamento de Estética – Facultad de Arquitectura y Diseño, 2005). (Spanish)

Jimenez , Marc. L'esthétique contemporaine : Tendances et enjeux (Paris: lincksieck, 2004), p. 115. (French)

Jones, Debra "DNA Spirals Into Artists' Medium", Wired News, Mar. 06, 2004.

Juster, A. M. "Biotech Bunny", in: The Secret Language of Women: Poems (Richard Wilbur Award), (Evansville, IN: The University of Evansville Press, 2003), p. 19.

Kac, Eduardo. "Genesis", in Gerfried Stocker and Christine Schopf (eds.) , Ars Electronica 99 - Life Science (Vienna, New York: Springer, 1999), pp. 310-312. (German and English).

___________. "Genesis", in Genesis, exhibition catalogue, O. K. Center for Contemporary Art, Linz, Austria, pp. 50-55. (German and English)

Kac, Eduardo. "Transgenic Art", Leonardo Electronic Almanac, Vol. 6, N. 11, December 1998.

___________. "Transgene Kunst", in Gerfried Stocker and Christine Schopf (eds.) , Ars Electronica 99 - Life Science (Vienna, New York: Springer, 1999), pp. 289- 296. (German and English)

___________. "Transgenic Art", Parol - Quaderni d'arte e di epistemologia, ottobre/novembre 1999, Università di Bologna, Italy (http://www.unibo.it/parol) - ISBN: 88-7232-314-2 (English)

___________. "El Arte Transgénico", in Futuros Emergentes: Arte, Interactividad y Nuevos Medios, Angela Molina and Kepa Landa, eds. (Valencia, Spain: Institució Alfons el Magnànim-Diputación de Valencia. Centre Cultural la Beneficencia, 2000, pp. 59-66. (Spanish and English)

___________. "GFP Bunny", in Dobrila, Peter T. and Kostic, Aleksandra (eds.). Eduardo Kac: Telepresence, Biotelematics, and Transgenic Art (Maribor, Slovenia: Kibla, 2000). Excerpted in French in: Revue d'Esthétique, N. 39, 2001, pp. 67-68. Republished in German in: Kunstforum, N. 158, 2002. Republished in Spanish in: HIPERCUBO(OK) : arte ciencia tecnologia en contextos proximos. Andres Burbano and Hernando Barragan, orgs. (Bogota, Colombia: Universidad de los Andes, Goethe Institut Bogota, 2002), pp. 69-91. Republished in Portuguese in: Galáxia: Revista Transdisciplinar de Comunicação, Semiótica, Cultura, N. 3, Programa de Estudos Pós-Graduados em Comunicação e Semiótica-PUC-SP, 2002, pp. 35-58. Republished in German in: Kunstforum, Bd. 158, January/March 2002, pp. 46-57. Excerpted in Greek in : Futura N. 8, September 2001, 292-295. Revised and republished in : Leonardo, Vol. 36, No. 2 (2003). Republished in Russian in: Dmitry Bulatov (ed.), Biomediale. Contemporary Society and Genomic Culture (Kaliningrad: The National Publishing House “Yantarny Skaz, 2004), pp. 360-373. Published in French in: Louise Poissant and Ernestine Daubner (org.), Art et Biotechnologies (Montréal: Presses de l’Université du Québec, 2005). In Polish: "GFP Bunny", in: Monika Bakke (ed.) Human ⁄ Animal (Kraków: Universitas, 2009).

___________. "Genesis - A Transgenic Artwork", in: Ascott, Roy. (ed.) Consciousness Reframed 3: art and consciousness in the post-biological era (conference proceedings), University of Wales, Newport, August 2000, n.p.n.

___________. "Genesis", Cahiers du CIRCAV, N. 12, 2000. (French)

___________. "Genesis, una obra de arte transgenica", Mediapolis, Buenos Aires, 2000 (Spanish).

___________. "El Arte Transgénico", esta nueva traducción publicada en Zehar N. 45, Verano 2001, pp. 26-29, Diputación Foral de Gipuzkoa, Comunidad Autónoma Vasca y Navarra. The text is also reproduced in the magazine in the Euskara language on pages 22-25. (Spanish and Euskara)

___________. "Lapin PVF", Revue d'Esthétique, N. 39, 2001, Paris, pp. 67-68. (French)

___________. "Bio Art: Proteins, Transgenics, and Biobots" / "Biokunst: Proteine, Transgenik und Bioboter", in TAKEOVER - Who's doing the art of tomorrow?/Wer macht die Kunst von morgen?, Gerfried Stocker and Christine Schopf, eds. (Vienna: Springer Verlag, 2001), pp. 118-124 (English) and pp. 125-131 (German).

___________. "GFP Bunny", Kunstforum, Bd. 158, January/February 2002. (German)

___________. "L'art de la téléprésence et l'art transgénique", Ligeia, N. 45-46-47-48, 2003, Juillet-Décembre 2003, Paris, pp. 132-136. A voir aussi: .Actes du colloque Artmedia VIII : de l'esthétique de la communication au Net art, Leonardo/Olats <http://www.olats.org/projetpart/artmedia/2002/actes.html>, 2002. (French)

___________. "GFP Bunny Drawings", Bridge, Vol. 2, N. 2, Winter/Spring 2003, Chicago, pp. 27-30.

___________. "L'Art Transgénique", Interfaces et sensorialité, Louise Poissant, org. (Montreal: Presses de l'Université du Québec, 2003), p. 175-. (French)

___________. “The Eighth Day”, Intelligent Agent, vol. 3 no. 1, 2003 (online).

___________. "Transformation du Vivant -- Mutation de l'Art", in: Jens Hauser, ed. L'Art Biotech. Catalog. (Le Lieu Unique, Nantes, France, 2003), pp. 33-42. (French)

__________. "O Oitavo Dia", Tradução de Ana Valéria Lessa. In: Maciel, Katia (org). Redes sensoriais: arte, ciência, tecnologia (Rio de Janeiro : Contra-Capa, 2003), pp. 259-264. (Portuguese)

__________. “Life Transformation—Art Mutation”, in Art Inquiry, Vol. 5, N. 14, Lodz, Poland, 2003, Cyberarts/cybercultures/cybersocieties issue, Ryszard W. Kluszczynski,ed., pp. 251-265.

___________. "Transgenic Art Online", in: Thurtle, Phillip and Robert Mitchell (eds.), Data Made Flesh: Embodying Information (New York, London: Routledge, 2004), pp. 259-262.

___________. "The Eighth Day", in: Maria Fusco (ed.). Wonderful: Visions of a Near Future (London: NESTA and the Wellcome Trust, 2004), pp. 55-58.

___________."Criação de Novos Seres Vivos: A Mutação da Arte", Nada, N. 2, 2004, Lisboa, pp. 92-107. (Portuguese)

___________. "Lance 36", Oroboro, N.1, Curitiba, 2004, pp. 34-37. (Portuguese)

___________. "Move 36", A Mínima, N. 8, 2004 (Oviedo, Asturias), pp. 26-33.(Spanish)

___________. "El Octavo Día", in: Mungi, A., C. Elorza, I. Billabeitia, eds.: 2003. Arte y pensamientos en la era tecnológica (Bilbao: Universidad del País Vasco, 2004), pp. 123-133. (Spanish)

___________. "Le Huitième Jour", INTER Art Actuel, N. 92, November 2005. (French)

___________.“Transformation du Vivant -- Mutation de l'Art”, in : Balpe, J.P. and Barros, Manuela de. L'Art at-il besoin du numérique? / Actes du colloque de Cerisy / 2004 (Paris : Hermès, 2006), pp. 215-230. Updated version. (French)

___________. “Genesis”, in: Leão, Lucia. O chip e o caleidoscópio: reflexões sobre as novas mídias. São Paulo: Editora SENAC, 2005, pp. 281-294. (Portuguese)

___________. "GFP Bunny", in: Art et biotechnologies, Louise Poissant and Ernestine Daubner Ed. Presses de l'université du Québec et Presses de l’Université St-Étienne, 2005, pp. 157-177. (French)

___________. "Bio Art", in: Andrieu, Bernard (dir.). Dictionnaire du corps en sciences humaines et sociales (Paris: CNRS, 2005). (French)

___________. “Bio Art”, in: Lestel, Dominique (ed.), "Ethologie et ethnologie: une synthèse prometteuse" [Ethology and ethnology: the coming synthesis], Information sur les Sciences Sociales,Vol 45 (2), SAGE Publications (London, Thousand Oaks, CA and New Delhi), 2006. (French)

___________. "L'arte transgenica: geni sintetici, transgenici e biobots [Transgenic Art: Synthetic Genes, Transgenics, and Biobots]", in: Franz Fischnaller, ed., E-art (Rome: Editori Riuniti , 2006), pp. 109-112. (Italian)

___________. "Le huitième jour", Inter, art actuel, N. 94, Québec, 2006, p. 22-23. (French)

___________. "Biopoetry", Cybertext Yearbook 2002-03, Edited by Markku Eskelinen & Raine Koskimaa, University of Jyvaskyla, Finland, 2003, pp. 184-185 (English).

___________. "Biopoetry", p0es1s: The Aesthetics of Digital Poetry. Edited by Christiane Heibach and Karin Wenz (Ostfildern-Ruit, Germany: Hatje Cantz Publishers, 2004), pp. 244-249. (English and German)

___________. "Biopoetry", Nuori Voima, N. 4/5, 2004, p. 27. (Finnish)

___________. "Biopoetry", Hearat Shulaym 8/9, Jerusalem, 2004, n.p.n. (Hebrew)

___________. "Biopoetry", Kirikiri <http://www.kirikiri.ee/print.php3?id_article=111>, December 2004. (Estonian)

Kac, Eduardo. “Telepresencia y arte transgénico”, Página/12, 27 de Julio de 2004, Buenos Aires. (Spanish)

Kac, Eduardo. “Desde la Biblia hacia “Rabbit Remix”, Página/12, 27 de Julio de 2004, Buenos Aires. (Spanish)

___________. "Biopoetry", Notre Dame Review, N. 19, Winter 2005, pp. 145-148.

___________. "Biopoetry", Technoetic Arts, Vol. 3, N. 1, 2005, pp. 13-17.

___________. "Biopoetry", <nokturno.org>, a website maintained by the poetry society Nihil Interit, the literary magazine Nuori Voima and the publishing house Savukeidas, October 2005. (Finnish)

___________. "Biopoetry", in: Ascott, Roy (ed). Engineering nature: art and consciousness in the post-biological era (Bristol: Intellect, 2006).

___________. "Biopoetry", Formules, N° 10, juin 2006, pp. 425-430, "Littérature Numérique et caetera", Paris. (French)

___________. "Biopoetry", Revista de Comunicação e Linguagens, Centro de Estudos de Comunicação e Linguagens, Departamento de Ciências da Comunicação, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Lisboa, Portugal, 2006.

__________. “Transformazione del vivente – Mutazione dell’arte”, in: Jens Hauser (a cura di) Art Biotech, Bologna, Clueb - Collana mediaversi, 2007, pp. 53- 63. (Italian)

__________. “Life Transformation—Art Mutation”, in: Mel Alexenberg (Editor). Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology, and Culture (Bristol: Intellect, 2008).

__________. “Life Transformation—Art Mutation”, in: VII Festival Internacional de la Imagen, Universidad de Caldas, Manizales, Colombia (2008). (Spanish)

___________. "Biopoetry", in: Glaser, Stephanie A., ed. Media inter Media. Essays in Honor of Claus Clüver.  Amsterdam, New York, NY: Rodopi. 2009.

___________. "Bioarte: Da Genesi di Storia Naturale di Enigma", Maria Perosino, ed. Effetto Terra (Monza: Johan & Levi Editore, 2009). (Italian)

___________. "Bio Art", D'ARS (Numero 197 - Marzo 2009 ), pp. 18-21, Milan.

___________. “Natural History of the Enigma,” in: Schöpf, Christine; Stocker, Gerfried; Leopoldseder, Hannes (eds.). CyberArts 2009 - International Compendium - Prix Ars Electronica 2009 (Ostfildern: Hatje Cantz, 2009), pp. 104-109.

___________. "Cypher, a Transgenic Kit," in: Natural History of the Enigma & Other Works [Histoire Naturelle de l'énigme & autres travaux] (Paris: Al Dante, 2009), pp. 87-88 (English); p. 89 (French).

___________. "Bio Art: Mutatis Mutandis", Les Cahiers européens de l'imaginaire, Paris, 2011, pp. 186-198. (French)

___________. "Bio Art: From Genesis to Natural History of the Enigma" ["Bio Art: Od Genesis do Natural History of the Enigma"], polish translation by Mariola Sulkowska-Janowska; Folia Philosophica, N. 28, 2010, pp. 13-37. (Polish)

___________. “Natural History of the Enigma,” in: Catalogue of 2nd International Contemporary Art Biennale "Beyond", Poznan, Poland (September 10th to October 30th, 2010). Beyond Mediations volume, pp. 60-61. (English and Polish)

___________. "Bio Art," in: Lane Hall, Patrice Petro and A. Aneesh (eds.), Beyond Globalization (New Jersey: Rutgers, 2011), pp. 189-205.

___________. "Bio Art: From Genesis to Natural History of the Enigma, " in: Grau, Oliver, ed. (with Thomas Veigl). Imagery in the 21st Century (Cambridge: MIT Press, 2011), pp. 57-80.

___________. “Life Transformation—Art Mutation”. WissensKünste. Das Wissen der Künste und die Kunst des Wissens / The knowledge of the arts and the art of knowledge. Sabine Flach, Sigrid Weigel, eds. (Weimar: Verlag und Datenbank für Geisteswissenschaften, 2011), pp. 124-159. [German and English]

___________. "Art That Looks You in the Eye", in: Jeffrey Kastner (ed.). Nature (London: Whitechapel Gallery, 2012).

___________. “Blurring the Line Between Species,” Centerpoint Now, n. 25, WCFUN, 2014, p. 99.

___________. "Le Bio Art," Celebrity Café, n. 2, 2015. (French)

Kalenberg, Angel. "Eduardo Kac: El Artista como Demiurgo", ArtNexus, N. 69, Mar - May, 2008, pp. 90-94. (Spanish and English)

Kalenberg, Angel. "Eduardo Kac y los límites del arte," Dossier, N. 24 enero/febrero 2011, Montevideo, pp. 6-10. (Spanish)

Kane, Carolyn. Chromatic Algorithms: How Color Became Code, University of Chicago Press, 2013.

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Karow, Julia. "Paradies oder Albtraum. Eine Galerie in Manhattan zeigt die genetische Revolution im Spiegel der Kunst", Süddeutsche Zeitung, 04.10.2000, Bayern Seite V2/16. (German)

Kasprzak, Michelle. "GFP Bunny", Digibodies Online website, May 2000.

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Kember. Sarah  "Metamorphoses: The Myth of Evolutionary Possibility", Theory, Culture & Society, Feb 2005; vol. 22: pp. 153 - 171.

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Larsen, Erling Tind. "Selvlysende kanin med eget website. Kaninen Alba er blevet genmanipuleret, så hun lyser i mørke. Du kan møde Alba på hendes eget website", Ekstra Bladet, Coppenhagen, September 26, 2000. (Danish)

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Lehtinen, Markku. “How to Explain Pictures to a Living Hare -- Eduardo Kac's Transgenic Art”, ["Kuinka selittää elävälle jänikselle -- Eduardo Kacin transgeneettinen taide"], Nuori Voima, N. 4/5, 2004, pp. 24-29. (Finish)

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Libedinsky, Juana. "El arte revolucionará la tecnología", La Nación, Buenos Aires, July 26, 2000, p. 11. Republished in El Universal, Mexico City, July 30, 2000. (Spanish)

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Marchal, Hugues. "Entretien avec Eduardo Kac: Questions sur la vie qui reste à venir", Critique, Tome LVII, N. 709-710, Paris, Juin-Juillet 2006, pp. 553-565. (French)

Marchal, Hugues. "Mutation biologique et avant-gardes littéraires", Critique, Tome LVII, N. 709-710, Paris, Juin-Juillet 2006, pp. 566-579. (French)

Marchal, Hugues. "O guia da casa da humanidade," Suplemento Literário de Minas Gerais, Belo Horizonte, Agosto 2007, N. 1304, pp. 37-41. (Portuguese)

Marsh, Natalie (ed.). “Eduardo Kac: interview,” in: Seeing / Knowing (Kenyon, OH: Kenyon College, 2011), pp. 51-59.

Martins, Rodrigo. "Os limites entre o vivo e a máquina", O Estado de São Paulo, caderno Link, 20 outubro 2008, página L10. (Portuguese)

Mathon, Georges. “Cartoon”. Dessin Revue "Coté Arts" (Marseille), Novembre 2003.

Mathews, Ryan; Wacker, Watts. "Deviants, Inc.", Fast Company; March 1, 2002, p. 70 .

Mathews, Ryan and Wacker, Watts. "Burning Men and Glow-in-the-Dark Bunnies", in: Mathews, Ryan and Wacker, Watts.. The Deviant's Advantage: How Fringe Ideas Create Mass Markets (New York : Crown, 2002). pp. 118-126.

Maugh, Thomas. “Three U.S.-based scientists share Nobel chemistry prize”, Los Angeles Times, October 09, 2008.

McEnery, Paul. "The truth about Kac and dogs", San Francisco Bay Guardian, May 23, 2001.

McGovern, Celeste. "It's all happening at the Frankenzoo", Report, Canada, November 20, 2000.

McKibben, Bill. Enough: Staying Human in an Engineered Age (New York: Henry Holt, 2003), pp. 16-17.

Meda, Maria Grazia. "Manipolatori", La Repubblica delle Donne, Anno 13, N. 600 del 31 maggio 2008, pp. 76-81. (Italian)

Mehlman, Maxwell J. Wondergenes: Genetic Enhancement and the Future of Society (Indiana University Press, 2003), p. 216.

Melantis, Yannis. "Interview with Eduardo Kac", Artzine, N. 3, 2002. (Greek)

Menconi, Darlene. "A Arte na Era da Biotecnologia", Isto É, N. 1563 (15 September 1999 - Brazil), p. 66-69. (Portuguese)

Menconi, Darlene. "Múltiplo Sentido". Isto É, 14 August 2002 - Brazil), p. 86. (Portuguese)

Menconi, Darlene. "A Gênese como Inspiração". Isto É, 16 Abril 2003, N. 1750 - Brazil), p. 72. (Portuguese)

Menegoi, Simone. "Art and Genetics", Activa, N. 8, December 2000, Milan, pp. 104-111. (English and Italian)

Menezes, Marta de. "Arte In Vivo", NADA, N. 1, 2003, Lisboa, pp. 62-71. (Portuguese)

Menezes, Caroline. "Uma nova genética para a arte. Eduardo Kac usa genes para discutir relação entre ser vivo e tecnologia", Jornal do Brasil, Caderno B, 30 Setembro 2004, p. B4. (Portuguese)

Mercadet, Léon. "Bacille de Kac", Nova Magazine # 93, Septembre 2002, p. 49. (French)

Mèredieu, Florence de. Arts et Nouvelles Technologies (Paris: Larousse, 2003), p. 128. (French)

Mèredieu, Florence de. Histoire matérielle et immatérielle de l'art moderne (Paris: Larousse, 2004), pp. 620, 637. (French)

Meyer, Christopher and Stan Davis. It's Alive: The Coming Convergence of Information, Biology, and Business (Crown Business; 2003), pp. 27-30, 39, 44.

Michaud, Yves. "Arts et biotechnologies", in: Jens Hauser, ed. L'Art Biotech. Catalog. (Le Lieu Unique, Nantes, France, 2003), pp. 80-85. (French)

Michaud, Yves. "L'esthétisation généralisée", Beaux Arts magazine, Dossier L'art du XXIe siècle, December 2006, pp. 80-85.

Miller, Anegela L. et alli (eds.) American Encounters : Art, History and Cultural Identity (New York: Prentice Hall, 2007), pp. 653-654.

Millwood R.J., H.S. Moon, C. N. Stewart, Jr. 2010. "Applications of fluorescent proteins in whole plants". In Chris D. Geddes (Ed.). Topics in Fluorescence Spectroscopy Volume 14, Springer.

Mieli, Sílvio. "Uma nova dimensão: a arte biotecnológica", Jornal da Tarde, São Paulo, 12/2/00. (Portuguese)

Miranda, Carolina. “Weird Science,” ArtNews, March 2013, p.68.

Miranda, Doris. "Estamos Inventando uma nova linguagem", Correio da Bahia, Salvador, 30 Julho 2002, Seção Folha da Bahia, p. 01.

Mitchell, Robert. Media Life: Bioart and the Vitality of Media (Seattle: University of Washington Press, 2009).

Mitchell, W. J. T. , "The Work of Art in the Age of Biocybernetic Reproduction", Modernism/modernity - Volume 10, Number 3, September 2003, pp. 481-500, The Johns Hopkins University Press. Reproduced in: Mitchell, W. J. T., What Do Pictures Want?: The Lives and Loves of Images (Chicago: The University of Chicago Press, 2005), pp. 320, 327, 330.

Moszynska, Anna. Sculpture Now (London: Thames and Hudson, 2013), p. 107.

Moutinho, Ana Correia. "Genes de Artista", Visão, N. 449, 11 Out 2001, Lisbon, pp. 136, 138. (Portuguese)

Motor. "Eduardo Kac. Intervistato da Motor", Computer & Internet, N. 22, Aprile/Giugno, 2003, Firenze, pp.40-41. (Italian)

Moulon, Dominique.  “Gène d'artiste, spectateur-acteur”,  Les Dossiers de l'ingénierie educative, Centre National de Documentation Pédagogique N. 47-48, Paris, Juin-Octobre 2004, p. 120-125. (French)

Moulon, Dominique. "L'art transgénique," MCD [Musiques & Cultures Digitales], n. 57, Paris, pp. 22-25. (French)

Moulon, Dominique. "Fifty Questions for Eduardo Kac," , in: Eduardo Kac: Life, Light & Language / Eduardo Kac: La vie, la lumière & le langage (Enghien-les-Bains, France: Enghien-les-Bains Art Center, 2011) [exhibition catalogue]. French/English

Moulon, Dominique. Art contemporain nouveaux medias (Paris: Nouvelles éditions Scala, 2011), pp. 100, 101, 111, 115. (French)

Mrozek, Bodo. "Grün glüht das Kaninchen. Der Mutationskünstler Eduardo Kac verwirrt die Wissensgesellschaft", Tagesspiegel, Berlin, 23 Oktober 2003. (German)

Mudede, Charles. "The End of Art", The Stranger, Volume 9, Number 15, Dec. 30, 1999 - Jan. 05, 2000.

Muggeo, Laura (Coordinator). American Dream (New York: Ronald Feldman Fine Arts, 2003), p. 13. Exhibition catalogue.

Müller-Jung, Joachim. "Hasengrün - Die Gentechnik und ihre Symbole", Frankfurter Allgemeine Zeitung, January 13, 2001. (German)

Müller, María Sara. "Una nueva etapa del arte ha surgido", El Tercer Tiempo, N. 132, Buenos Aires, June 2001. (Spanish)

Myers, William. Bio Design (New York, London: Thames & Hudson, 2012), pp. 196-199; 268-269.

N. P. "Organismes Artistiquement Modifiés", Epok N. 29, Septembre 2002, p. 22. (French)

Nadarajan, Gunalan. "Specters of the Animal:The Transgenic Work of Eduardo Kac", in : The Eighth Day: The Transgenic Art of Eduardo Kac, Sheilah Britton and Dan Collins (eds.), The Institute for Studies in the Arts, Arizona State University, Tempe, 2003, pp. 44-50.

Nadis, Steve. "Transgenic art", in: Fifty Years of DNA (London: Nature Publishing, 2003), 72-73.

Navarro, Patricia Avena. "Eduardo Kac (review)", Arte al Dia International, Buenos Aires, n.135 May-June-July, 2011, pp. 134-135. (English / Spanish)

Nelson, Jennifer. "Bunnies that glow", All About Eve, Saturday 14 April, 2001, London.

Nelson, Robert S. and Richard Shiff (eds.) Critical Terms for Art History (University of Chicago Press; 2nd edition (April, 2003), p. 88.

Newitz, Annalee. "Biopunk", San Francisco Bay Guardian, August 8, 2001.

Newman, Marisa. "Flourescent Pleasures", Rhizome, 9.6.99 (www.rhizome.org)

Newman, William R. Promethean Ambitions : Alchemy and the Quest to Perfect Nature (University of Chicago Press, 2004), p. 1.

Nghiem, James. “Artist to lecture on Art and Science”, The Oklahoma Daily,  September 12, 2005, Norman, Oklahoma, p. 10.

Nicolaisen, Terje. "Konstruert liv som kunst", Morgenbladet, May 19, 2000, Oslo, p. 11. (Norwegian)

Nicoletti , Gianluca and Andrea Borgnino. "L'Alba del Golem", Golem, RAI, Torino, Italy,11 April 2001. (Italian)

Nidecker, Fernanda. "Arte na era dos biobots; Holopoesia e telepresença são alguns conceitos criados por Eduardo Kac", Jornal do Brasil, 10/JUN/2002, Caderno Internet,. p. 7. (Portuguese)

Nodé-Langlois, Fabrice. "Des microbes fluo à vocation artistique", Le Figaro, 19 septembre 2002, p. 13. (French)

Noury, Mathieu , L'art à l'ère des biotechnologies. La question du vivant dans l'art transgénique d'Eduardo Kac (Paris: Editions Le Manuscrit, 2007). (Monograph in French)

Nunes, Fábio Oliveira. “Gênesis: Arte transgênica via Internet”, Studium, N. 23, 2006, Universidade de Campinas, São Paulo, <http://www.studium.iar.unicamp.br>. (Portuguese)

O'Brien, Paul. "Ars Electronica 99", CIRCA, Art and Technology Supplement, Winter 1999, pp. S05-S07.

Oliva, Bonito. "Bonito Oliva: scienziati, cioè creativi. Come Leonardo". See: Cattani, Pier. "Colpo di gene: l'artista diventa biotech". Venerdi di Repubblica, Italy, 25 Avril 2003, 11-13. (Italian)

Ohlenschläger, Karin. "Eduardo Kac y la Interacción Arte Ciência Vida", Cuadernos del IVAM, ISSN 1698-5397, Nº. 10, 2007 , pags. 44-57. (English / Spanish)

Onfray, Michel. Archéologie du présent. Manifeste pour une esthétique cynique (Paris: Adam Biro/Grasset, 2003), pp. 105-107. (French)

Onion, Amanda. "Glowing Controversy", ABCNews.com, Sept. 19, 2000.

Onion, Amanda. "Man-Made Monkey", ABCNews.com, January 11, 2001.

Ørnstrup, Karen Margrethe, "Protester mod selvlysende kanin", Ingenioren|Net, Koppenhagen, 19/09/2000 (Danish)

O'Reilly, Sally. The Body in Contemporary Art (London: Thames and Hudson, 2009), pp. 140-141.

Osthoff, Simone. "Eduardo Kac's Genesis: Biotechnology Between the Verbal, the Visual, the Auditory, and the Tactile", Leonardo Digital Reviews, October 2001.

Osthoff, Simone. “Elsewhere in Contemporary Art: Topologies of Artists’ Works, Writings, and Archives,” Art Journal, Vol. 65 (2006), No. 4 (Winter), pp. 6-17.

Osthoff, Simone. "Eduardo Kac at IVAM : a Conversation with the artist", Art.Es, January/February 2008, Spain, pp. 74-79 (Spanish / English).

Osthoff, Simone. "Eduardo Kac speaks with Simone Osthoff", Contemporary Conversations, N.1, June 2008, pp. 52-55.

Osthoff, Simone. "Eduardo Kac: uma Conversa com o artista", ComCiência, Labjor, Universidade Estadual de Campinas - Unicamp, <http://www.comciencia.br/comciencia/>, 2008. (Portuguese)

Osthoff, Simone. “Hybridity: In Conversation with Eduardo Kac”, in: Andy Miah (ed.). Human Futures: art in an age of uncertainty (Liverpool: FACT & Liverpool University Press, 2008), pp. 146-151.

Osthoff, Simone. "Exploring the Visceral and the Transgressive in Bio Art," Leonardo Reviews, December 1, 2008. <http://leonardo.info/reviews/dec2008/osthoff_exploring.html>

Osthoff, Simone. "Eduardo Kac: Networks as Medium and Trope", in: Ecosee: Image, Rhetoric, and Nature. Eds. Sid Dobrin and Sean Morey (New York: SUNY University Press, 2009), pp. 113-126.

Ottinger, Didier (ed). Chimères, Monstres et Merveilles, de la Mythologie aux Biotechnologies (Arles, Paris : Editions Actes Sud, 2003), pp. 128, 142-145. (French)

Ottinger, Didier. "Eduardo Kac in Wonderland". First published in: Rabbit Remix (exhibition catalogue), Laura Marsiaj Arte Contemporânea, Rio de Janeiro, n.p.n. The exhibition was realized from September 19 to October 21, 2004. (Also : French and Portuguese). A fragment appeared in: Catalog of the São Paulo Bienal, September-December 2004. (English and Portuguese). Republished in: Elena Giulia Rossi (ed.), Eduardo Kac : Move 36, Filigranes Éditions, Paris, 2005 (English/French). Republished in "Eduardo Kac", IVAM, 2007 (English/Spanish). Republished in Paulo Reis (ed.), Parangolé. Fragmentos desde los noventa en España, Portugal y Brasil, Museo del Patio Herreriano (MPH) de Valladolid, 2008 (Spanish / Portuguese), 78-83.

Otto, Steve. "Is it art or is it a mad hare?", Tampa Tribune, Florida, 09/25/2000.

Paes, Rui Eduardo. "1999 -- O Ano do Apocalipse", Vida Mundial, Lisbon, N. 22, Novembro 1999, p. 71. (Portuguese)

Palmiéri, Christine. “Entrevue avec Eduardo Kac. L’Ère biotech. La vie augmentée”, ETC, Revue de l'art actuel. Débat et critique, N. 70, Juin/Juillet/Août 2005, Montréal, pp. 33-39. (French / English)

Palumbo, Marialuísa. "Eduardo Kac. Questioning the objectivity of space", ARCH'IT rivista digitale di architettura, June 11, 2001. (Italian and English)

Pandilovski, Melentie. “Art of the Biotech Era”, Broadsheet, vol 33, no 1,  2004. Contemporary Art Centre of South Australia, Parkside, South Australia.

Paracchini, Fabio. "Arte e genoma", Erewhon, uploaded September 1, 2000. (Italian)

Parker, Steve. Genetic Engineering (Mankato, Minn.: Thameside Press, 2002), p.10.

Parker-Starbuck, Jennifer. "Becoming-Animate: On the Performed Limits of "Human", Theatre Journal - Volume 58, Number 4, December 2006, pp. 649-668.

Pasko, Jessica. “Bio-artists use science to create art”, USA Today, 05 - 03 - 2007.

Paterson, Carrie. “A Call to Feminism in the Age of Biotechnologies and Bioinformatics,” X-TRA magazine, Winter 2009, Volume 11 Number 2, pp. 12-19.

Paterson, Carrie. "Animal, Vegetable, or Art," Artillery magazine, Mar/Apr 2011, vol 5 issue 4, , pp. 34-35.

Paterson, Carrie. "Nothing is More or Less Alive: A Conversation with Eduardo Kac," Sculpture magazine, April 2011, pp. 48-55.

Paterson, Carrie. Nothing is More or Less Alive: A Conversation with Eduardo Kac," in: The New Eartwork; Art Action Agency. Twylen Moyer and Glenn Harper, eds. (Hamilton, NJ: ISC Press, 2011), pp. 203-209.

Paul, Christiane. Digital Art (London, New York : Thames & Hudson, 2003), pp. 156-159; 170-173; 212-213; 217.

Paul, Christiane and Jack Toolin. “Information Arts - Adventures in the Creative Use of Information as Medium”, Encyclopedia of Library and Information Sciences, Taylor & Francis Group, 2008.

Pedemonte, Enrico. "Libero clone in libero stato", L'Espresso, March 14, 2002, pp. 42-47. (Italian)

Peixoto, Mariana, "Rompendo as Dimensões", Estado de Minas, Domingo, 31 de julho de 2005. (Portuguese)

Pence, Gregory E. Cloning After Dolly: Who's Still Afraid? (Rowman & Littlefield, 2004), p. 147.

Perra, Daniele. "Eduardo Kac: Interview", Tema Celeste, N. 81 July-September 2000, Milan, pp. 76-81.

Perruche, Céline. "Soleil Vert", DS Magazine, Avril 2003. (French)

Pescovitz, David. "Robugs, biologically based software, the GeoWeb, transgenic art and other hot frontiers in technological innovation", <salon.com>, Nov. 30, 2005.

Pettman, Dominic. Look at the Bunny: Totem, Taboo, Technology (Winchester, UK: Zero Books, 2013), p. 62.

Philipon, Patrick. "BIOTECHNOLOGICAL ART : The mysteries of a mutant art", Magazine on European Research, Special Issue - March 2004, Belgium, pp. 14-17. (English, French, German)

Phillips, Graham. "Green Rabbits", in : Phillips, Graham. Our Fabulous Future: Mother Nature is in the Nursing Home and the Kids are Running the Biosphere (Sydney: ABC Books, 2002), pp. 31-32.

Pic, Rafael. "Art numérique et vieilles bactéries", L'Art Aujourd'hui, N. 1, !3 au 20 Septembre 2002, p. 4. (French)

Pickering, Andrew. Sketches of Another Future: The Cybernetic Brain, 1940-2000 (University of Chicago Press, 2009).

Pino, Andrea Álvarez."Con Eduardo Kac en Santiago de Compostela," Boletín Galego de Literatura, n. 46, segundo semestre, 2011, pp. 335-347.

Piquard, Alexandre. "Faites place aux artistes in vitro", Transfert, N.9, Vol. 1, Novembre 2000. See also the interview with Eduardo Kac published online: "Mon oeuvre est donc une bonne occasion de dialoguer"(French)

Pieribone, Vincent and David Gruber. Aglow in the Dark: The Revolutionary Science of Biofluorescence (Cambridge, MA: Harvard University Press, 2006), pp. 157-158.

Plazowska, Anna. "Odpust Swietego Electronica", Fluid, 13 (14) 2001, Warsaw, p. 47. (Polish)

Popper, Frank. "Eduardo Kac", in Sara Pendergast and Tom Pendergast (Editors). Contemporary Artists (5th Ed). St. James Press, New York, 2001, pp. 823-826.

Popper, Frank. "The Transgenic Art of Eduardo Kac", Artpress, N. 276, Fevrier 2002, Paris, p. 51. (French and English)

Popper, Frank. From Technological to Virtual Art (Cambridge, MA: MIT Press, 2007).

Preuss, Sebastian. “Das grüne Kaninchen”, Berliner Zeitung, Feuilleton, 29.01.2002, p. 9. (German)

Puhr, Manfred. "Gen-Kunst: Leuchtendes Kaninchen", Der Standard, Vienna, 22.09.00. (German)

Punt, Michael. "Post-digital Analogue", Skrien, monthly journal of film and screen culture, N. 240, February 2000. (Dutch)

Quéau, Philippe. "The Whale, the Cockroach and the Rabbit", in Stocker, Gerfried and Schopf, Christine (eds.), Ars Electronica 2002 -Unplugged (Ostfildern-Ruit: Cantz, 2002), pp.289-296. (English and German)

Quick, Susanne and Marilynn Marchione, "Unlocking Secret of DNA Model Helix Made World Do Double Take", Milwaukee Journal Sentinel, April 28, 2003

Quinn, Jim. "Idea doesn't light up columnist", Akron Beacon Journal, Ohio, October 7, 2000.

Quintais, Luis. "Fluidez tectónica. As bio-tecno-ciências, a bio-arte, e a paisagem cognitiva do presente", Revista Crítica de Ciências Sociais, 79, Dezembro 2007: 79-94 (Universidade Lusíada do Porto, Porto). (Portuguese)

Ratel, Hervé. "L'Art Transgénique", Sciences et Avenir, Décembre 1999, pp. 66-67. (French)

Rato, Vanessa. “Arte. Há limites éticos?”, Público, Lisbon. P2, 12 Abril 2008, pp. 8-11. (Portuguese)

Raulff, Helga (org.). Mensch und Tier. Eine paradoxe Beziehung (Ostfildern-Ruit, Germany: Cantz, 2002), p. 10, pp. 200-203. (German)

Rebêlo, Paulo. “Itaú Cultural discute validade da arte digital”, Diário de Pernambuco, August 10, 2002, p. E1. (Portuguese)

Rebêlo, Paulo. “Art.ficial dá nova missão à tecnologia”, Diário de Pernambuco, August 21, 2002, p. E1. (Portuguese)

Reboli, Francesca. "Dipingere con il DNA". HappyWeb, N. 6, Giugno 2003, Milano, pp. 56-60. (Italian)

Reboli, Francesca. "Se questa è arte", L'espresso, 2003, Rome (Italian)

Reed, Shona. "GFP Bunny", in Genolog, a project of the new media art journal SWITCH, Vol. 6, N. 1, 2000. Uploaded on June 08, 2000.

Reed, Shona. "Interview with Eduardo Kac", conducted online with questions posted to the Genolog website, July-September 2000 (http://genolog.com/slash/).

Rehm, Rush. Radical Theatre: Greek Tragedy and the Modern World (London : Gerald Duckworth & Company, 2003), p. 155.

Reichle, Ingeborg. "Kunst und Biomasse: Zur Verschränkung von Biotechnologie und Medienkunst in den 90er Jahren", Kritische Berichtee , Heft 1, Jahrgang 29, 1/2001, pp. 23-33. (German)

Reichle, Ingeborg. Kunst im Zeitalter der technischen Reproduzierbarkeit des Menschen Zur Rezeption der Gentechnik in der zeitgenössischen. KunstTexte.de, 2001-10-22, <http://www.kunsttexte.de>. (German)

Reichle, Ingeborg. "Artificial Life Art -- Transgenic Art: Zur Verschränkung von Kunst und Biotechnologie in der Medienkunst der Neunzigerjahre".In: ZIF Bulletin 24: Cyberfeminismus. Feministische Visionen mit Netz und ohne Boden? Zentrum für Interdisziplinäre Frauenforschung der HU, Berlin 2002, pp. 87-102. (German)

Reichle, Ingeborg. "Art (History) and Genetics", ISEA 2002, International Symposium on Electronic Art, NAGOYA, Japan, 28. Oktober 2002. (Lecture, German)

Reichle, Ingeborg. "Transgene Körper. Kunst im Zeitalter der Technoscience", in: Medien-Kunst-Netz, by Rudolf Frieling and Dieter Daniels <http://mkn.zkm.de/medienkunstnetz>, March 2004. (German)

Reichle, Ingeborg: Kunst aus dem Labor. Zum Verhältnis von Kunst und Wissenschaft im Zeitalter der Technoscience (Viena, New York: Springer, 2005). (German)

Reisinger, Gunther. "Move 36", < http://www.medienturm.at>, 2004. (German)

Reitz, Burkhard. "Genesis im Puderfass Die Biokunst zerteilt das Leben und feiert die Mutationen", Süddeutsche Zeitung, München, May 20, 2003, p. 13. (German)

Reyes, Graciela. “La Categoría de ambiguidad,” in: Oliveras, Elena. Cuestiones de arte contemporaneo. Hacia un nuevo espectador en el siglo XXI (Buenos Airs: Emece-Arte-2008), pp. 81-82. (Spanish)

Rhéaume, Julie. "Eduardo Kac: Au-Delà du Lapin Vert" (entrevue), Inter, art actuel, N. 94, Québec, 2006, p. 20-21. (French)

Richard, Birgit. "Biologie und Fake Life Construction. Kommunikationsplitter aus dem Netzsymposium zu LifeScience", Gerfried Stocker/Christine Schöpf: LifeSciences. Ars Electronica. Wien New York 1999. S. 30-46. (German and English)

Richard, Lionel. Art et Énergies (Paris: Cercle d’Art, 2008), pp. 118-125. (French)

Rifkin, Jeremy. "Dazzled by the science : Biologists who dress up hi-tech eugenics as a new art form are dangerously deluded", The Guardian, Tuesday January 14, 2003

Ritoux, Nicolas. "Quand la génétique devient un outil artistique", La Presse, Montréal, Canada, February 21, 2003. (French)

Ritter, Peter. "Venus In Blue Genes : If God didn't create a glowing dog, why can't art?", City Pages, Vol 25 · Issue 1210, 2/11/04, Minneapolis.

Rivera, Daniel. "La belleza y la rescritura de un nuevo mundo: Arte transgénico", La Jornada, Mexico, 5 de febrero del 2001.

Rivoire, Annick. "Le numérique dans la peau", Libération, Le 5 mai 2000. (French)

Robertson, Jean and Craig McDaniel, Themes of Contemporary Art:Visual Art After 1980, 2nd edition (London, New York: Oxford University Press, 2009). Chinese edition (2011) ISBN: 978-7-5344-3590-4.

Robson, John. "How green was my bunny?," The Ottawa Citizen, Canada, 27 October 2000.

Rocha, Cleomar. “Entrevista: Eduardo Kac.” In: Edgar Franco(Org). Poéticas Visuais e Processos de Criação (Goiânia: Núcleo Editorial – FAV/UFG, 2011), pp. 91-102. (Portuguese)

Roganovic, Vesna. "Biotehnologija kao umetnost: od imitacije Ïivota do imitacije stvaranja", Danas, March 17, 2004. (Serbian)

Roh, So Yeong. Media Art, the Antenna of the Era (Seoul: Art Center Nabi, 2013).

Roman, Valeria. "Un animal transgenico creado por un artista", Clarín, Buenos Aires, Martes 10 de octubre de 2000. (Spanish)

Romano. "Lance 36", Arte & ensaios, N. 11, 2004. Revista do Programa de Pós-Gradua;ão em Artes Visuais EBA -UFRJ, pp. 182-183. (Portuguese)

Rosenberg, David. Art Game Book (Paris, New York: Assouline, 2003), p. 303. (French and English, separate editions).

Rosenberg, David. "Génmanipulált müvészet (Interview wih Eduardo Kac)". Artmagazin, January-February 2005, pp. 68-70. (Hungarian)

Rozas, Mercedes. "Eduardo Kac: «Crear nuevas especies equilibra la pérdida de biodiversidad»", La Voz de Galicia, 6 Junio 2010. (Spanish)

 Rubinowitz, Susan. "Glowing Rabbit Sparks Controversy", Petplace.com, September 23, 2000.

Rubira, Sergio. "El Paraíso Artificial", Lapiz - Revista Internacional de Arte, N. 193, Mayo 2003, Madrid, pp. 68-75. (Spanish)

Rueter, Anne. "Genetics in Art: A Glowing Controversy?", Ann Arbor News, Michigan, February 15, 2001, D1, D2.

Ruszkiewicz, Anderson, and Friend. Beyond Words:A Visual Reader (Boston, MA: Longman Publishing, 2005).

Ryssen, Stefaan Van. "Review of The Third International @rt Outsiders Festival: Du bio-art à la vie artificielle (From Bio-art to Artificial Life)", Leonardo Electronic Almanac, volume 10, number 11, November 2002.

Sabrina, Comin. La transgenic art di Eduardo Kac, Parol Quaderni d'Arte e di Epistemologia, Dipartimento di Filosofia, Università di Bologna, February 2006 <http://www2.unibo.it/parol/home.htm>. (Italian).

Salehnia, Shieva. "Transgenic petunia inspires art", Minnesota Daily, 04/17/2009

Sanchez, Anne-Cécile. "Eduardo Kac - Le pape du bioart", Le Point - 04/10/02 - N°1568 - Page 123. (French)

Savel, Sasa. "Flouescentna Zajklja Alba : intervju z Eduardom Kacem", Maska, Letnik IX (XVI), St. 3-4 (68-69), Pomlad 2001, Ljubljana, Slovenia, pp. 26-29. (Slovene)

Savochkin, Dmitry. "Interview with Eduardo Kac", NASH (OUR), N. 5, 2001, n.p.n. Magazine of contemporary culture, available all over the former Soviet Union. (Russian and Ukrainian)

Schwartz, Ineke. "Klonen van DNA als kunst", NRC Handelsblad, September 11, 1999. (Dutch)

Schweizer, Gaby. Leuchtende Kreatur -- Eduardo Kac Der Professor aus Brasilien provoziert mit einem fluoreszierenden Hasen. Er hält den Gentechnikern den Spiegel vor", Facts; 2001-06-28; Seite 108; Nummer 26, pp. 108-109, Switzerland. (German)

Schjeldahl, Peter. "DNART," The New Yorker, October 2, 2000, pp. 144 - 145.

Schmundt, Hilmar. "Das Kunst-Gen", Der Spiegel, N. 26, 26 June 2000, p. 114. (German)

Schnee, Kris. "But Is It Art?", The Tech, MIT Newspaper, Volume 120, Number 46, September 29, 2000.

Schouweiler, Susannah. "Art world today will meet 'Edunia,' Eduardo Kac's genetically engineered 'plantimal'", Minnpost, Minneapolis, Apr 17 2009.

Schueller, Gretel. "But is it Art? Interview with Eduardo Kac", New Scientist, 06 January 2001.

Schueller, Gretel H., "Leuchtendes Beispiel", Die Woche, Hamburg, Vol. 5, N. 1, January 26, 2001. (German)

Schwamborn, Klaus, "Farben als Proteine: Wie aus Bildern neue Organismen werden", in: Farbstrategien (Color Strategies), thematic edition of the journal Bildwelten des Wissens, Vol. 4, n. 1, (The Visual Worlds of the Sciences), pp. 17-24, published by Akademie-Verlag in Berlin, Germany. (German)

Shaw, Debra Benita. Technoculture: The Key Concepts (New York : Bloomsbury Academic, 2008), p. 89.

Seiple, Samantha. Mutants, Clones, And Killer Corn: Unlocking the Secrets of Biotechnology (Minneapolis: Twenty-First Century Books, 2005), p. 51.

Shanken, Edward. Art and Electronic Media (London: Phaidon, 2009), pp. 34-5, 38, 42, 158, 191, 228, 234-238, 244, 249, 282.

Shankleman, Jessica. "Weird and Wacky Exhibitions", The Telegraph, London, 17 Apr 2009.

Shaviro, Steven. "Atomic Dogs", Artbyte, March-April 2000, pp. 22-23.

Shaviro, Steven. "Crossing the Line", Indie Planet, June 2000. http://www.indieplanet.com

Shaviro, Steven . "Mon chien vert est doux comme un Aibo", Courrier International, N. 544, Paris, p. 63. Du 5 au 11 Avril, 2001. (French)

Shaviro, Steven. "Genetic Disorder : Bioasthetics", Artforum, January 2004, p. 42.

Shepherd, Chuck. "Great art!", News of the Weird, 11.26.00. News of the Weird is a USA syndicated newspaper column.

Sherwood, Katherine. "Art, Medicine, and Disability", Radical History Review, 2006 (94): 191-196

Sirius, R. U., "Biopunk", Rolling Stones 893 (April 11, 2002), p. 80.

Silvia, Sharon. "Genetic Memory as Art", About.com, March 14, 2001.

Silverberg, Robert. "The Case of the Phosphorescent Rabbit", Asimov's Science Fiction, Vol. 25, No. 9, September 2001.

Simanowski, Roberto. “Close Reading und der Streit um Begriffe” <www.dichtung-digital.com/2005/1/Simanowski> (German)

Simanowski, Roberto. Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations (Minneapolis: Univ Of Minnesota Press, 2011), p. 30 (holopoetry); pp. 54-57 (Genesis).

Slawson, Kim. "Eduardo Kac's GFP Bunny, a Work of Transgenic Art, or, It's Not Easy Being Green", Everything2.com, Nov 19 2000.

Smith, Janet. "Aglow Over Genetic Art", Georgia Straight, June 1-8, 2000, Vancouver, p. 51.

Smith, Jeremy. "Oryx and Crake by Margaret Atwood" <http://www.infinityplus.co.uk/nonfiction/oryxandcrake.htm>, 31 October 2003.

Smith, Terry. Contemporary Art: World Currents (Pearson/Prentice-Hall, 2011), pp. 290-291.

Snodgrass, Susan. “Kac, Eduardo (Biography).” Grove Art Online, Oxford University Press, 16 Sept 2010. <www.oxfordartonline.com>

Sobolewska, Olga. "Sztuka, jakiej nie znamy", Magazine Wiedza i Zycie (Knowledge and Life)", Sierpen (August) 2004, Warsaw, pp. 42-45. (Polish)

Soh, Natalie. "Reinventing the Ark", Straits Times, March 2, 2001, Singapore.

Sokolovsky, Marina. "XNMEPbI", LeTaburet design magazine, N. 9, The Urals, Russia, 2004, pp. 42-43. (Russian)

Somajni, Chiara. "L'Arte Digitale", in Gillo Dorfles and Angela Vettese (eds.), Arti Visive (Bergamo, Italy: Atlas, 2001), pp. 158-159. (Italian)

Sorensen, Eric. "Seattle show brings DNA debate to life", Seattle Times, April 06, 2002.

Soret, Jean-Luc. “Éloge de l’intensité,” in: Art et culture(s) numérique(s), panorama international. Edited by Centre des arts & Musiques & Cultures Digitales (MCD). Published by Centre des arts d’Enghien-les-Bains et l’Institut Français, 2012, pp. 42-47. (French)

Spangenberg, Peter. "Produktive Irritationen: Zum Verhältnis von Medienkunst, Medientheorie und gesellschftlichem Wandel". In: Formen interaktiver Medienkunst, Peter Gendolla, Norbert M. Schmitz, Irmela Schneider (eds.), Suhrkamp verlag, Frankfurt, p. 142. (German)

Spinozzi, Paola. “Engineering Organisms into Art: the Aesthetic Élan of the Biosciences, " in : Margareth Hagen, Randi Koppen, and Margery Skagen (eds.), The Human and its Limits: Explorations in Science, Literature and the Visual Arts (Oslo: Scandinavia Academic Press, 2011), pp. 77-93.

Stallabrass, Julian. Art Incorporated - The Story of Contemporary Art (Oxford: Oxford University Press, 2004), pp. 184-185.

Stanisci, Carolina. "Eduardo Kac: Interview", Latinarte, N. 6, November/December 2001, p. 9. (English and Portuguese)

Stehr, Nico. Biotechnology: between commerce and civil society (Transaction Publishers, 2004), p. 59.

Stein, Lisa. "New Kac Show Takes a Look at Ethics, Rabbit", Chicago Tribune, Section 7, May 10, 2002, p. 21.

Steinmetz, Muriel. "Ces artistes cultivent le vivant", Regards N. 89, Avril 2003. (French)

Sterling, Bruce. Tomorrow Now (New York: Random House, 2002), p. 10.

Stern, Andrew. "Artist seeks to free his glowing creation - rabbit", Reuters wire and online, September 23, 2000.

Stern, Lynn. The Gene(sis) Project: A Laboratory for Arts-Based Civic Dialogue, Museums and Dialogue, Arts-Based Civic Engagement Series (Washington DC : Americans for the Arts, 2005).

Stewart, Jr, C. Neal. “Go with the glow: fluorescent proteins to light transgenic organisms”, TRENDS in Biotechnology,Vol.24, No.4, April 2006, pp. 155-162.

Stiles. Kristine. "Performance", in: Nelson, Robert S. and Richard Shiff, editors. Critical Terms for Art History, Second Edition (Chicago and London: University of Chicago Press, 2003), pp. 87-88.

Stock, Gregory. Redesigning Humans: Our Inevitable Genetic Future (Boston : Houghton Mifflin, 2002), p. 217.

Stocker, Gerfried. "Uprising", in Genesis (catalogue), O. K. Center for Contemporary Art, Linz, Austria, 1999, pp. 41-43. (exhibition catalogue). (German and English)

Stockinger, Andreas. "Von der Medienkunst zur Bio-Revolution", Der Standard, Tulln, Austria, 2 September 1999. (German)

Stokkan, Morten. "Lagde selvlysende kanin", Dagbladet, January 8, 2001, Oslo, p. 15. (Norwegian)

Stowman, Gerri. “Eduardo Kac”, Minnesota Monthly, 2003.

Stracey, Frances. "Bio-art: the ethics behind the aesthetics", Nature Reviews Molecular Cell Biology, AOP, published online 20 May 2009.

Strayer, Jenny et alli (eds.) Animal Nature (August 26–October 2, 2005; exhibition catalogue), Regina Gouger Miller Gallery, Carnegie Mellon University, Pittsburgh

Strickland, Carol. "More science than self-expression. NYC exhibit explores genetics through art", Christian Science Monitor, October 13, 2000.

Stuart, Laura. "Oak Park's Mr. Green Genes: Artist Eduardo Kac discusses his artistic vision and his glowing bunny", Wednesday Journal, 11 October 2000, pp. 49, 52-53. 

Stuart, Laura. "Modified monkey, captive bunny". Wednesday Journal, 31 January 2001, p. 34.

Sulkowska, Mariola. “The Artistic Life, The Art Alive,” in: Patricia Trutty Coohill (ed.), Art Inspiring Transmutations of Life, Analecta Husserliana, Volume 106, 2010, pp. 29-37.

Sutherlin, Matthew. "Down the Rabbit Hole," Visual Arts Research, Vol. 38, No. 1 (Summer 2012), p. 24.

Suvakovic, Misko. "Politics and Art: A Controversy after the Fall of the Berlin Wall", Proceedings of XVII International Congress of Aesthetics, 9-13 July 2007, “Aesthetics Bridging Cultures”, Middle East Technical University, Ankara, Turkey.

Svendsen, Lars. Kunst - En begrepsavvikling [Art - A Conceptual Unwinding] (Oslo: Universitetsforlaget, 2000), pp. 122-123. (Norwegian)

Svendsen, Lars. "Kunsten i går, i dag og i morgen", Futurama, Dec 12, 2000, Oslo, Norway. (Norwegian)

Taiuti, Lorenzo. "Tecnologie Genetiche", Lorenzo Taiuti, in Corpi Sognanti. L'arte nell'epoca delle tecnologie digitali (Rome: Edizioni Feltrinelli- Collana Interzone, 2001), pp. 66-68. (Italian)

Talasek, JD et alli (eds). “Keynote interview with Eduardo Kac,” in: Visual Culture and Evolution (The Center for Art, Design and Visual Culture, UMBC, 2012), pp. 22-39.

Takahashi, Toru. Cyborg Ethics (Tokyo: Suiseisha, 2006), pp. 85-101. (Japanese)

Tanni, Valentina. "Eduardo Kac e l’ottavo giorno della creazione", ExibArt, Firenze, Italy, October 29 2001. (Italian)

Tanumihardja, Patricia. "Digital Age", The Arts Magazine - Singapore's premier guide to the arts, July-August 2001, pp. 24-26.

Thielicke Robert. "Wissen schafft Kunst", Feuilleton, Living Bridges Schering Froschungsmagazin Heft 1 / 2006, pp. 56-61. (German)

Thomas, Cyril. "Entretien avec Eduardo Kac," Magazine semestriel des arts de la scène et des écritures numériques, 2009, Centre des écritures contemporaines numériques, Mons, Belgium. (French)

Thomas, Mary. "A playful, poetic and pioneering installation", Pittsburg Post-Gazette (front page and Magazine), January 19, 2001, pp. 22-23, 36-38.

Thompson, Nato. (ed). "Behold, Alba; Genetically modified glow Bunny sparks a debate between its creator, SAIC professor Eduardo Kac, and students", F Newsmagazine, School of the Art Institute of Chicago, November 2000, pp. 13-15.

Tomasula, Steve. "(Gene)sis", in Dobrila, Peter T. and Kostic, Aleksandra (eds.). Eduardo Kac: Telepresence, Biotelematics, and Transgenic Art (Maribor: Kibla, 2000), pp. 85-96. Republished in: Thurtle, Phillip and Robert Mitchell (eds.), Data Made Flesh: Embodying Information (New York, London: Routledge, 2004), pp. 249-257; Anna Hatziyannaki (ed.), Art in the Age of Biotechnological Revolution  (Athens: Futura Publications, 2006), pp. 50-61. (Greek and English); Amaral, Leila e Geiger, Almir. In Vitro, In Vivo, In Silicio (São Paulo: Attar, 2008), pp. 309-320. (Portuguese)

Tomasula, Steve. "Genetic Art and the Aesthetics of Biology", Leonardo, Vol. 35, N. 2, pp. 137-144, 2002.

Tomasula, Steve "(Gene)sis", in: Amaral, Leila e Geiger, Almir. In Vitro, In Vivo, In Silicio (São Paulo: Attar, 2008). (Portuguese)

Tommasi, Paul. “Eduardo Kac, fondateur du bio-art,” (Propos recueillis par Paul Tommasi). La Rgle du jeu, n.52 - Mai 2013, pp. 117-140. (French)

Tong, Sebastian. "Green bunny's creator says medium is not the message", Reuters, posted Wed Oct 4, 2006 8:41 AM ET.

Torriani, Franco. "Organic-inorganic - The body: the displaced interface", Anomalie, N. 2, 2001. (French)

Torriani, Franco. "Life Extreme. A conversation with Eduardo Kac", Noema, Section 53, October 2008.<http://www.noemalab.org>

Tournier, Pascale. "Eduardo Kac. À Chicago, il érige en œuvre des organismes vivants génétiquement modifiés. Artiste visionnaire ou apprenti sorcier?, VSD, N°1321 du 19 au 25 décembre 2002, Paris, pp. 62-65. (French)

Travis, John. "Genes on display: DNA becomes part of the artist's palette", Science News, vol. 158, no. 25, Dec 16, 2000, p. 392-394.

Treier, Heie."Geneetiline kunst – hiilgav küülik", Mega, Tallinn, Estonia (http://www.mega.ee/), 11.01.2001. (Estonian)

Trussell, Denys. "Unmoving Pictures", The Ecologist, March 2001, Vol. 31, N. 2.

Tsai, Tzu-Wei. "The Aesthetics and Creation of Genetic Art", Journal of Taiwan Museum of Art, N. 52, March 2003, p. 54-56. (Mandarin Chinese)

Tseng, Yu-Chuan, "The Virtual Being and Reality Existence", Yageo Techart International Symposium (publication featuring papers presented at the symposium which was held at the Graduate School of Arts and Technology, Taipei National University of the Arts in May 2004), pp. 38-49. (Mandarin Chinese)

Tseng, Yu-Chuan. "The Fuzzy Characteristic in Eduardo Kac's Art", journal of Taipei Fine Arts Museum, N. 10 October 2005, pp. 57-80. (Mandarin Chinese)

Tursi, Antonio and Derrick de Kerckhove. "The Life of Space", in: Architectural Design, Volume 79 Issue 1 (January/February 2009), Special Issue: Theoretical Meltdown; Issue Edited by Luigi Prestinenza Puglisi (p 48-53).

Uhlmann, Gordon and Jokinen, Hannimari. "KunstMensch : Reflexionen des Hybriden in der Zeitgenössischen Kunst", in : Nicole C. Karafyllis (Hg.): Biofakte –. Versuch über den Menschen zwischen Artefakt und Lebewesenpp (Paderborn : Mentis, 2003), pp. 41-59. (German)

Umashankar, Pratibha."All in the name of art", Khaleej Times (Weekend magazine), Dubai, UAE, 30 November 2007, pp. 22-24.

Ungar, Christophe. "Et si dans notre futur, l’art devenait transgénique…", InterSections, N°3 mars 2001, Université de Genève, p. 6. (French)

Urbano, João e Marta de Menezes, "Entrevista a Eduardo Kac", Nada, Vol. 6, Lisboa, Novembro 2005. (Portuguese)

Vázquez, Cecilia . "Comunicación, Arte y Ciencia: el caso del arte transgénico," revista digital Arte y Crítica, 31 de octubre de 2006, Chile [documenta 12 magazines; www.documenta.de] (Spanish)

Vedani, Angelo. "Transgene Kunst", Altex, Ausgabe 3/2000 17. Jahrgang, p. 155. (German)

Velasco e Cruz, Nina. "A Arte Híbrida de Eduardo Kac", , in: 11o. Encontro Anual da Associação Nacional dos Programas de Pós-graduação em Comunicação - Compós, 2002, Rio de Janeiro. Anais do 11o. Encontro Anual da Associação Nacional dos Programas de Pós-graduação em Comunicação - Compós (CD-Rom). Rio de Janeiro: Compós; ECO-UFRJ, 2002. (Portuguese)

Velayos, María José. "De la Quimera a la coneja fluorescente", Lapiz, No. 199/200, February 2004, Madrid, pp. 50-67. (Spanish)

Vicente, José Luis de. "Eduardo Kac, Artista Electronico. El creador de seres imposibles", El Mundo, Madrid, Lunes, 10 de septiembre de 2001. (Spanish)

Vig, Julianna. "A Coli-bacilus mint mûvészi eszköz, avagy átírható-e a teremtés szövege?", Élet és Tudomány, N. 44, November 2, 2001, pp. 1400-1401, Budapest. (Hungarian)

Virilio, Paul (with Sylvere Lotringer). "Transgenic Art", Crepuscular Dawn (New York: Semiotext(e), 2002), pp. 125-127.

Vogel, Matthias. "Zwischen Aufbauhilfe und Themenpark", Neue Zuercher Zeitung, Feuilleton, 4. August 2001, Switzerland. (German)

Voisin, Thierry. “Le haut débit pour les canaris !”, Telerama Sortir N. 3190, 2 mars 2011, p. 16. (French)

Volk, Greg. "Rabbyfish? Jellit? Art?", NC State Technician, Raleigh, November 20, 2000.

Vorobei, Andrei. "Splicing Cells for Frankenstein Art", The Moscow Times, 14 March, 2003. <http://www.themoscowtimes.com/stories/2003/03/14/105.html

Wands, Bruce. Art of the Digital Age (New York, London: Thames & Hudson, 2007).

Wang, Cristine. "The Ethics of Knowledge", NY Arts Magazine, Vol.6, No.12, December 2001.

Wang, Bo-wei. "Hybridity and the Taxonomic Order. The Exhibition Natural History of the Enigma by Eduardo Kac in Berlin,” Artist magazine, September 2010, pp. 326-329, Taiwan. (Chinese)

Wardrip-Fruin, Noah and Pat Harrigan (eds.). First Person: : New Media as Story, Performance, and Game (MIT Press, 2004), p. 223.

Waxman, Lori. "Bible Clone at New Chicago Gallery", Artnet.com, 5/22/01.

Weele, Cor van der. "A taboo on moral solutions",  Simulacrum vol 15, #3/4, June 2007, pp. 28-30.

Weinbaum, Alys Eve. Wayward Reproductions: Genealogies of Race and Nation in Trans-Atlantic Modern Thought (Durham and London: Duke University Press. 2004), pp. 239-246.

Weinberg, Robert and Lois Gresh. "The GFP Hulk", in: The Science of Superheroes (Hoboken, New Jersey: J. Wiley, 2002), pp. 29-32.

Weintraub, Linda with Skip Schuckmann. ECOcentric Topics : Pioneering Themes for Eco-Art (Rhineback, NY: Artnow Publications, 2006), 79-85.

Weintraub, Linda. "Transgenesis: from past to last beginnings", in: Elena Giulia Rossi [ed.], Eduardo Kac : Move 36, Filigranes Éditions, Paris, 2005 (French, English); "Transgénesis: Desde los primeros a los últimos comienzos", in: Eduardo Kac: Obras Vivas y en Red, Fotografías y Otros Trabajos [Eduardo Kac: Online and Living Works, Photographs and other pieces], catalogue of exhibition curated by Graciela Taquini (Buenos Aires: Espacio Fundación Telefónica, 2006) (Spanish) ; in: E. Gomart [ed.], Genesis: life at the end of the information age, Utrecht, Centraal Museum, 2007; "TransGenèse : nouvelles origines", in: Conte, Richard and Marion Laval-Jeantet (eds.). Du sacré dans l'art actuel ? (Paris: Éditions Klincksieck, 2008), pp. 129-134. (French); "Transgénesis: Desde los primeros a los últimos comienzos", in: Andrés Burbano [ed.] Eduardo Kac: El creador de seres imposibles [Eduardo Kac: Creator of Impossible Beings] (Universidad de Caldas, Manizales, Colombia and Brumaria, Madrid, 2009). (Spanish)

Weintraub, Linda. To Life!: Eco Art in Pursuit of a Sustainable Planet (Berkeley, Los Angeles, London: University of California Press, 2012), pp. 221-225.

Weiss, Kenneth. "It Came From the Gene Lab", Los Angeles Times, May 14, 2003.

Weiss, Matthias. "Der andere blick aufs erbsenzählen", Kunstzeitung, January 2009, p. 13 <http://www.lindinger-schmid.de>. (German)

Westbrook, Lindsey. "Playing God, Like Scientists : A thought-provoking exhibit considers human modifications of animals", East Bay Express, Emeryville, CA, Sep 24, 2003.

Whatley, Barrie. "Scarecrows", Myths And Reality -- A Newsletter for TV Drama People, Issue 11 Autumn 2001, OMNI Communications, London, p. 2

Wides, Susan. The Hudson Valley, From Mannahatta to Kaaterskill (Yonkers, New York: Hudson River Museum: 2011), p. 39-40.

Wielga, Katarzyn. "GFP Bunny", Gazeta Wyborcza, Warsaw, 2002. (Polish)

Wiklund, Lotten. "The Bunny Alba", Space, Vol. 3, 2001/02, Stockholm, Sweden

Wilder, Jesse Bryant. Art History For Dummies (Hoboken, New Jersey: John Wiley & Sons, 2007), p. 380.

Willis, Holly. "Move 36," brochure published by the Creative Capital Foundation, New York, June 2003.

Wills, Cathy. Inter Sections (Rehovot, Isarel: Weizmannn Institute, 2012), npn.

Wilson, Steve. Information Arts: Intersections of Art, Science, and Technology (Cambridge, MA: MIT Press, 2002), pp. 99-100.

Wilson, Steve. Art and Science Now (New York: Thames and Hudson, 2010), pp. 21, 43, 27, cover.

Wilson, David. "Eduardo Kac", South China Morning Post, Hong Kong, 2003. (June or after; exact date unclear).

Wilson, Simon and Jessica Lack. The Tate Guide to Modern Art Terms (London: Tate, 2008), ["Bio Art"], p. 37.

Winters, R. Scott. "Engaged with Sequences", Science, 8 October 2004; 306 (5694): 231.

Witt, Louise. "Crazy teknologi-kunst", Arhus Stiftstidende, Kultur, 3 november 2006. (Danish)

Witt, Louise. "Den biologiske kunstner", Arhus Stiftstidende, Kultur, p. 12, 5 november 2006. (Danish)

Wittstock, Birgit. “Transgenic Art: Wenn Kunst mit dem Leben spielt”, fm5, 04.05, Vienna, (German)

Wolfe, Cary. “From Dead Meat to Glow in the Dark Bunnies: Seeing “the Animal Question” in Contemporary Art”, Parallax (Animal Beings special issue), Vol. 12, N. 1, Taylor & Francis, United Kingdom, 2006, pp. 95-109. Republished in: Ecosee: Image, Rhetoric, and Nature. Eds. Sid Dobrin and Sean Morey (New York: SUNY University Press, 2009), pp. 129-151.

Wolfe, Cary. “Language”, in : Critical Terms for Media Studies, ed. W.J.T. Mitchell and Mark Hansen (Chicago: Un. of Chicago Press, 2006).

Wolfe, Cary. What Is Posthumanism? (University of Minnesota Press, 2009), pp. 152; 158-167.

Wyman, Jessica. "On Eduardo Kac's Genesis", YYZ's zine, YYZ Artists' Outlet, Toronto, Canada, 2003.

Yap, Chin-Chin. "Murder at MoMa?", ArtAsiaPacific Magazine, N. 62, Mar/Apr 2009, pp. 49-50.

Yap, Chin-Chin. "Blooming into Being", ArtAsiaPacific Magazine, N. 68 May/June 2010, p. 63.

Yli-Lassila, Jukka. "Vihreänä hohtavan kanin tapaus", Helsinki Sanomat, March 12, 2006 (Kulttuuri), C1. (Finnish)

Yoo, Hye Won. “Bio Art and Transgenic Art,” Wow, n. 58, 2012, Hongik University, Seoul, pp.  114-121. (Korean)

Young, Emma. "Mutant bunny", New Scientist, 22 September 2000.

Youngs, Amy. "The fine art of creating life", Leonardo, Vol. 33, N. 5, 2000, pp. 377-380.

Youngs, Amy. "Mixing Techno with Eco", Nouvel Object 6 (Seoul, Korea: Design House, 2001), pp. 256-263. (Korean and English)

Zaunschirm, Thomas. “Im Zoo der Kunst I, II”, In: KUNSTFORUM International Bd.174, Januar-März 2005, S.36-103; Bd.175, April-Mai 2005, S.36-125. (German)

Ziarek, Krzysztof. "The End of Art As Its Future", Hedgehog Review, Summer 2004— Volume 6— Number 2 (nstitute for Advanced Studies in Culture, University of Virginia), pp. 23-35.

Ziarek, Krzysztof. The Force of Art [excerpt] (Stanford: Stanford University Press, 2004), pp. 60-102.

Ziarek, Krzysztof. “The work of art in the age of its electronic mutability.” In: Andrew Benjamin (Editor). Walter Benjamin and Art (London, New York: Continuum International Publishing Group (January 30, 2005), pp. 209-224.

Zimmermann, Anja. “Vererbung als kreativer Akt. Mythen von Geschlecht, Autorität und Lebendigkeit in der ‘Bio-Art’.” Animationen/ Transgressionen: Das Kunstwerk als Lebewesen. Ed. Pfisterer, Ulrich; Zimmerman, Anja. Berlin: Akademie Verlag, 2005. pp 283-304 (German)

Zylinska, Joanna. Bioethics in the Age of New Media (Cambridge: MIT Press, 2009), 150-152; 154-156; 159-161.

Zolotov, Eugene. "GFP Bunnny", Computerra, N. 15, Vol. 392, 13.04.2001. (Russian).

Zuss, Mark. "Zoography", rhizomes, Bowling Green State University, Department of English, Bowling Green, OH, 07 fall 2003.


Selected Radio and Television Coverage


TV: Cyberarts, Prix Ars Electronica. Reporter: Regina Patsch (Linz). Broadcast in Austria by ORF, September 1999. (Austria)

TV: ARTE. Reporter: Jens Hauser. Broadcast in France, Germany, Austria, and Switzerland on October 9, 1999.

TV: LA 7. Reporter: Ivo Mej. Program: Altro Mondo. Brodcast in Italy in September 1999.

TV: News. Reporter: Arash Tajmir (Vienna). Broadcast in Austria by ORF, September 1999. (Austria)

TV: Cyberbang. Reporter Paolo Calcagno (Milan). Broadcast in Italy, September 1999. (Italy)

Radio: HardDrive. Reporter: Henrik Føhns. Broadcast in Danmark, September 1999. (Danmark and online)

Radio: QRock, Los Angeles, 1999.

Radio: Jon Melichar Show, Los Angeles, online at: http://comedyworld.com (August 13, 2000).

TV: ABC News - World News Tonight with Peter Jennings, Bill Blakemore Reports, September 18, 2000. This broadcast was retransmitted in many countries on September 19, 2000, including Japan (Channel 8, Fuji TV) and Brazil (GloboNews, cable).

Radio: Radio France. Reporter: Philippe Reltien. September 19, 2000. (France)

TV: Chicago Tonight with Phil Ponce, "The fluorescent bunny: The latest on biotechnology---from transgenic art to Bt corn", September 20, 2000 (Channel 11, Chicago).

Radio: Dave's Rave by Dave McBride, in Steve Dahl Show, September 19, 2000 (WCKG 105.9, Chicago).

Radio: NPR. Program: Wait Wait Don't Tell Me. Limerick: A glowing example of genetics. Host: Peter Sagal. September 23, 2000. (USA and online)

TV: ARD-Kulturreport. Reporter: Edith Bessling. September 24, 2000. (Germany)

TV: Politically Incorrect with Bill Maher, ABC, September 25, 2000. (USA)

Radio: BBC World Service. Program: Outlook. Reporter: Fred Dove. October 10, 2000. (Global and online)

Radio: ABC Radio National, Australia. Program: Arts Today. Reporter: Michael Cathcart. October 11, 2000. (Australia)

Radio: BBC 5 Live. Program: Global. Reporter: Benedicte Paviot. October 14, 2000. (United Kingdom and online)

Radio: WNYC, 93.9 FM, New York. Program: Studio 360. GFP Bunny Host: Kurt Andersen. Reporter: Donna Gallers. December 9, 2000 (East and West coasts) <www.studio360.org>.

TV: Paris Première. Program: Rive Droite, Rive Gauche. Host: Thierry Ardisson. Reporter: Dorothée Woillez. Broadcast twice on December 11, 2000. Rebroadcast twice on December 12, 2000.

TV: Canal+ (Paris). Program: NPA Midi. Title: "La Lapine Fluo". Reporter: Julie Rambal. 12 December 2000.

Radio: Radio France Internationale (Redação Brasil). Program: Tendencias. Reporter: Pamela Valente. Broadcast on December 25, 2000.

Radio: Radio France Internationale. Reporter: Escarlata Germana Sánchez García. January 2001.

TV: Metro Arts, Channel 13 in New York. Paradise Now video created by Kathy Brew and Roberto Guerra, January 8, 2001.

TV: National Geographic Channel (cable). Program: National Geographic Today. "Paradise Now". Producer: Max Block. Broadcast on January 18, 2001.

Radio: Radio National (Australia). Program: Arts Today, with Michael Cathcart , "Inter-species art special". Producer: Bruce James. , 6/04/01

Radio: Rai (Italy). Program: Golem. Reporters: Gianluca Nicoletti and Andrea Borgnino. Broadcast on April 11, 2001.

TV: Rai, Channel 3 (Italy). Program: MediaMente. Reporter: Cristina Cilli. Broadcast on April 12, 2001.

TV: PBS (Chicago). Program: Artbeat Chicago. Title: "Eduardo Kac: Artist/Geneticist". Hosted by Fawn Ring. Reporter: Genevieve Gandal. Broadcast on May 24, May 25 , and May 27, 2001.

Radio: Bayerischer Rundfunk. Program: Biotechnology Goes Pop. Reporters: Maximiliane Saalfrank and Michael Bartle. Broadcast in Munich on July 21, 2001.

TV: A&E. Program: Investigative Reports - Perfecting Baby, Controlling DNA. Reporter: Bill Kurtis. Producer: Julianne Hill. Broadcast on August 13, 2001.

TV: LA 7. Reporter: Ivo Mej. Program: Altro Mondo. Brodcast in Italy in November 2001.

TV: NHK. Program: Japan This Week. Reporter: Catherine Kobayashi. Producer: Masahiko Hattori. Broadcast in Japan and 150 countries via satellite on September 15, 2001.

TV: ORF-BR ALFA (ORF-ARD-ZDF). Program: Ars Electronica 2001. Reporter: Bernhard Hain. Broadcast on September 21, 2001 in Germany, Austria, France, Spain, United Kingdom, Israel.

TV: NHK. Program: Yokohama 2001: International Triennial of Contemporary Art. Director: Mr. Wataru Takahashi. USA Producer: Steven Mudrick of MADO Productions, New York. Broadcast in Japan on September 26, 2001, on NHK's Broadcast Satelitte HDTV channel. There was another broadcast on October 9, 2001, on NHK's regular Broadcast Satelitte TV.

TV: PBS (Chicago). Program: Artbeat Chicago. Title: "The Eighth Day". Producer: Dan Andries. Reporter: Genevieve Gandal. Host: Fawn Ring. Broadcast on Thursday, September 27 at 7:30 and 11:30 pm; Friday, September 28 at 2:00 and 5:00 am; Sunday, September 30 at 11:00 pm, 2001.

TV: Arte. "The Eight Day". Producer/Reporter: Jens Hauser. Broadcast in France, Germany, and Austria on November 2, 2001.

TV: ZDF. Program: Aspekte. "The Eight Day". Producer/Reporter: Jens Hauser. Broadcast in Germany on November 9, 2001. See <http://www.ekac.org/hauserzdf.html>.

TV: 3SAT. Program: Kulturzeit. "The Eight Day". Producer/Reporter: Jens Hauser. Broadcast in Europe on November 14, 2001. See: <http://www.ekac.org/3sat.html>

Radio: RTBF (Belgian National Radio-TV). Interview with Eduardo Kac. Program: CyberCafé 21. Reporter: Xavier Ess. Broadcast on November 16, 2001. Rebroadcast on the Internet by CyberCafé 21 (http://www.cybercafe21.net) on the same day.

Radio: Nova. Program: "Ce Qual le probleme?" Interview with Eduardo Kac. Reporter: Antoine Blin. Broadcast in Paris on December 11, 2001.

Radio: Radio One. Program: Culture. Producer: Gudni Tomasson. Broadcast in Iceland on June 1, 2002.

Radio : Radio Nova. Program: Hardcoresopie. Reporter: Antoine Blin. Broadcast in Paris on September 17, 2002.

TV: TV Cultura. Program: Vitrine. Host: Marcelo Tas. Broadcast nationally on 21/August/2002, Brazil.

TV: American Public Television. Program : Secrets of the Sequence (Show #108). Producer: WardTV. Broadcast nationally on May 24, 2002. 

Radio: France Inter. Program: Tam Tam. Reporter: Carolina Cartier. Broadcast on September 18, 2002.

TV: France 3. Program: 19/20 (Journal Télévisé Paris IDF). Reporter: Bertrand Lambert. Broadcast: 2002 (day/moonth?).

TV: Euronews. Program: Le Mag (Rubrique Expositions). Reporter: Bertrand Lambert. Broadcast: 2002 (day/moonth?)

TV: France 2. Program: Des mots de minuit. Interview with Jens Hauser. Broadcast on April 29, 2003.

TV: Channel 4. Program: Planet of the Clones. Reporter: Stephen Cooter. Producer: TVF, London. Broadcast: December 2002.

TV: France 2. Reporter: Michel Mompontet. Broadcast date: March 14, 2003.

TV: MTV.Brazil. Program: Buzzina. Presenter: Cazé. Broadcast nationally on April 17, 2003.

TV: 3SAT. Program: Kulturzeit. Title: Recht auf Leben. Auf der Suche nach dem perfekten Menschen. Broadcast on: 15. Mai 2003.

TV: Arte. Program: Tracks. Title: Art genetik. Reporter: Sebastian Perez. Broadcast: May 30, 2003. (France/Germany)

TV: Arte. Program: Tracks. Title: Vibration - Art Biotech. Broadcast: October 10, 2003.

Radio: NPR. Program: Talk of the Nation. Title: Science of Superheroes. Host: Neal Conan. Guests: Robert Weinberg and Lois Gresh, co-authors, The Science of Superheroes (J. Wiley, 2002). Broadcast on June 19, 2003.

TV: PBS. Program: Science and its Appeals: At the Intersection of New Technologies and the Courts. Producer: Noel Schwerin. Broadcast date unknown.

TV: ARD-Arte. Program: Faust Comes True. Director: Bertram Verhaag. Production of: DENKmal-Film GmbH, Munich. Broadcast date: March/April 2004.

Radio: Radio France Internationale. Program: Perfiles. Reporter: Escarlata Sánchez. Realización: Yocasta Gómez. Brodcast on: March 27, 2003. Paris. Download the program (mp3, 27.5MB). Language: Spanish.

TV: The Education Channel (Tampa, FL). Program: Weekly Edition. Producer: Lucy Griggs. Broadcast on: May 24th, May 25th, May 27th, May 29th, 2004.

TV: RTVE. Program: Metrópolis. Reporter/Producer: Maria Pallier. Date: 2004. Madrid.

Radio: BBC Radio 4. Program: The Material World. Title: "Genetic Art". Presenter: Quentin Cooper. Date: 31 March 2005. Participants: Martin Kemp, art historian from Oxford University and Ken Arnold, Head of Public Programming at the Wellcome Trust.

Radio: P1. Program: Eksistens: Title: "Grønne kaniner og talende potteplanter". Reporter: Bjørg Tulinius. Broadcast on: October 22, 2005. Duration: 00:44:08 min. (Danish)

Radio: Radio Nova. "Time Capsule et Bio Art". Reporter: Antoine Blin. Broadcast in Paris on 21 décembre, 2005. (French)

TV: TV 5 (French). “Science: history and challenges”.  BFC Productions, Paris. Directors: Philippe Picard & Jerome Lambert. Broadcast in 2006.

Radio: NPR. Program: "To The Best Of Our Knowledge". Interview with Eduardo Kac. Interviewer: Anne Strainchamps. Producer: Charles Monroe-Kane. Broadcast date: July 9, 2006. Location: Broadcast in the USA around the country on over 150 NPR stations.

Radio: DR (Danish Radio). Program: "p2plus".Carsten Ortmann. Broadcast date: November 13, 2006. Location: Broadcast in Denmark (twice: afternoon and evening).

TV: Al Jazeera English. Program: One on One: Eduardo Kac. Interviewer: Riz Khan. Broadcast: February 23, 2008.

TV: France 2. Program: Journal Télévisé (JT 13H). Section: Cinq Dernières Minutes. Interviewer: Elise Lucet. Broadcast live on: June 19, 2008. (French)

TV: France 24. Program: Futur. Interviewer: Christelle Ploquin. Broadcast: September 2008. (French)

TV: France 3. Program: Culturebox. "Le bio-art, ou l'art génétiquement modifié d'Eduardo Kac". Interviewer: Elodie Gérard. Broadcast: October 2008. (French)

TV: Spanish Radio and Television Corporation (RTVE); Miradas 2; Aired on March 18, 2012 (Barcelona).

TV: BBC, London; Sherlock & the green bunny; Sherlock Season 2 Episode 2 - Title "The Hounds of Baskerville"; Aired on January 8, 2012.

TV: Swedish Television,Kobra TV Interview, Dept. of Culture and Art Programs, April 4, 2012.

Radio: Online, The Conversation <http://www.findtheconversation.com>, 2012.


DVD

Mitchell, Robert, Phillip Thurtle and Dr. Helen Burgess. DVD-Rom Biofutures: Owning Body Parts and Information, University of Pennsylvania Press, 2006.


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